This practical and up-to-date Guide to Recorded Opera, the only such volume authorized by the Metropolitan Opera Guild, offers a wealth of invaluable information for the opera lover. Whether it is used for recommendations on which recording to buy, or for a bird's-eye view of the recording history of a specific opera, the Guide to Recorded Opera will prove an indispensable addition to the opera lover's library.
"synopsis" may belong to another edition of this title.
Buying a recording--particularly of the average opera, which requires more than one compact disc--is an investment of sorts; the big sets usually aren't cheap. If you walk into the classical music section of one of the better record stores, you'll be confronted with a wall of jewel-toned boxes of operatic recordings. How do you choose between them? The problem is particularly acute for newcomers, who may know that they want a particular opera, but know the names of only one or two performers. The record companies have put their trust in brand names (such as Pavarotti and Domingo), but unless you're already a major fan of one of these high-profile singers, you don't need to seek only the CDs on which they are featured if you shop with the aid of a good guide. The Metropolitan Guide to Recorded Opera is written by people dedicated to opera who listen to recordings with practiced and critical ears, and who know--and can either recommend or trash--almost every recording available of any given opera. The volume lists 150 operas in chronological order, with the oldest first, then provides a roundup recommendation at the end. Having a single authority/critic for each score offers a consistent viewpoint for that particular opera, and much of the writing is lively as well as informative. As a bonus, the text is studded with "favorite recordings" recommendations of various operatic luminaries. These starred recordings aren't listed or indexed, though, so finding them is a matter of serendipity. The only problem with The Metropolitan Guide to Recorded Opera is that it isn't entirely current. Because it was published in 1993, it doesn't contain reviews of recordings published since that time.
This practical and up-to-date Guide to Recorded Opera, the only such volume authorized by the Metropolitan Opera Guild, offers a wealth of invaluable information for the opera lover. Whether it is used for recommendations on which recording to buy, or for a bird's-eye view of the recording history of a specific opera, the Guide to Recorded Opera will prove an indispensable addition to the opera lover's library.
"About this title" may belong to another edition of this title.
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Condition: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. . Seller Inventory # 7719-9780500015995
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Paperback. Condition: Very Good. In this guide, a distinguished corps of musicians, critics and discophiles, supported by the world-renowned Metropolitan Opera, New York, evaluate all the complete recordings of the most important and best loved operas in the repertoire. This information source gives the music lover authoritative advice on fine recordings. Employing the combined labours of some of the world's leading musicologists, "The Metropolitan Opera Guide to Recorded Opera" assesses every complete recording ever made of 150 operas fron "The Abduction from the Seraglio" to "Die Zauberflote" - by 72 composers - from Richard Wagner to Scott Joplin. The operas are arranged alphabetically by composer, and chronologically under each composer heading. An introduction to each opera entry details important issues such as textual differences between performances and cuts. The comparative reviews provide comments on sound quality, fidelity to the composer's intentions, and other fundamental points, and each entry ends by recommending one definitive rendition. As an added feature, directors of opera houses and celebrities have contributed their lists of "Ten Favourite Opera Recordings". Paul Gruber is Executive Director of Program Development for the Metropolitan Opera Guild, New York. He was Executive Editor of "The Metropolitan Opera Encyclopaedia" (with David Hamilton, 1987), also published by Thames and Hudson. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Seller Inventory # GOR001887916
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Condition: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. Dust jacket in fair condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1500grams, ISBN:9780500015995. Seller Inventory # 7079716
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Seller: Hamelyn, Madrid, M, Spain
Condition: Bueno. : Esta guía, editada por Paul Gruber y respaldada por la Metropolitan Opera de Nueva York, ofrece una evaluación exhaustiva de todas las grabaciones completas de las óperas más importantes y queridas del repertorio. Incluye un índice y proporciona información autorizada para los amantes de la música, evaluando grabaciones de 150 óperas de 72 compositores, desde 'El rapto en el serrallo' hasta 'La flauta mágica'. EAN: 9780500015995 Tipo: Libros Categoría: Arte y Cultura Título: The Metropolitan Opera Guide to Recorded Opera Autor: Paul Gruber Idioma: en Páginas: 782. Seller Inventory # Happ-2026-04-17-287aed34
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