Georgia Totto O'Keeffe (1887 - 1986) was an American artist. She was best known for her paintings of enlarged flowers, New York skyscrapers, and New Mexico landscapes. O'Keeffe has been recognized as the "Mother of American modernism". She studied art during the summers between 1912 and 1914 and was introduced to the principles and philosophies of Arthur Wesley Dow, who espoused created works of art based upon personal style, design, and interpretation of subjects, rather than trying to copy or represent them. This caused a major change in the way O'Keeffe felt about and approached art, as seen in the beginning stages of her watercolors from her studies at the University of Virginia and more dramatically in the charcoal drawings that she produced in 1915 that led to total abstraction. This book is a collection and analysis of O'Keeffe's early charcoal and watercolours of 1915-16 in a collection belonging to the Metropolitan Museum of Art.
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Georgia O'Keeffe was born in 1887, the second of seven children, and grew up on a farm in Wisconsin. By the time she graduated from high school she was determined to become an artist, spending the next few years studying art at the Art Institute of Chicago and the Art Students League of New York, and later teaching art in Texas, Virginia and South Carolina. In 1916, Alfred Stieglitz exhibited 10 of her charcoal abstractions at his famous avant-garde gallery, 291, closing the gallery the next year with a solo exhibition of her works. From 1918 on they lived and worked together in New York and Lake George. Three years after Stieglitz's death in 1946, O'Keefe moved to New Mexico, whose stunning vistas and stark landscape configurations had inspired her work since 1929. It was here that she painted her most famous pictures, working in oils until her eyes failed her in the 1970s. She continued working in pencil and watercolor until 1982 and produced objects in clay until 1984, two years before she died at age 98.
"A beautifully illustrated book about this icon, a liberated, unconventional, independent, and spirited American woman and celebrity who predated the feminist movement and had few peers." -- Rose Safran "Maine Antique Digest" (08/01/2008)
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