Ever since their creation in nineteenth-century France, Adolphe Braun's photographic images have been uniformly praised for their beauty. Braun was a trained textile designer who initially used the nascent technology of photography to document the French landscape and architecture, traditional regional costume, animal breeds and husbandry, and the events and legacies of the Franco-Prussian war. Braun's opulent bouquets of flowers are at once lush, delicate, and richly tonal; his landscapes are breathtaking and immediate; his animal studies arresting; his war photos dramatic and unrelenting. He created thousands of visual souvenirs of pristine alpine sites and would ultimately become one of the first to reproduce works of art photographically for a mass audience. Although the creation of "fine art" was not his intention, Braun produced work that was (and still is) synonymous with superb technical and artistic resolution, as he sought to identify popular uses for the process of photography. Through Braun's provocative work, Image and Enterprise explores the origins of contemporary visual communication--from the evolution of photography to the means of dissemination to the public. The introductory essays give an overview of Braun's photographic enterprise, his use of new technology, and the political and economic climate in which his business flourished. Other essays examine discrete aspects of Braun's work in the context of contemporary social, economic, and cultural history. Published to accompany an exhibition at the Rhode Island School of Design and the Cleveland Museum of Art.
"synopsis" may belong to another edition of this title.
FREE shipping within U.S.A.
Destination, rates & speedsUS$ 11.27 shipping from Italy to U.S.A.
Destination, rates & speedsSeller: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Hardcover. Condition: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less 2.8. Seller Inventory # G0500542325I5N01
Quantity: 1 available
Seller: HPB-Ruby, Dallas, TX, U.S.A.
hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! Seller Inventory # S_356978607
Quantity: 1 available
Seller: Ed's Editions LLC, ABAA, West Columbia, SC, U.S.A.
hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Dust jacket and book are clean, has a good binding, no marks or notations. Minor bump to the top front corner. Seller Inventory # 211254
Quantity: 1 available
Seller: Abstract Books, Indianapolis, IN, U.S.A.
Hardcover. Condition: Very Good. Dust Jacket Condition: Good. 161 pages, numerous illustrations some in color, lenders, indes names, list of illustrations; 4to, black boards. Near fine; dust jacket good+, edgewear with short tear, piece missing top of spine. Seller Inventory # 025891
Quantity: 1 available
Seller: The Book Merchant, LLC, Stillwater, OK, U.S.A.
Hardcover. Condition: Used Fine. Dust Jacket Condition: Fine. First Edition. Fine in Fine Jacket.Book. Seller Inventory # 1746
Quantity: 1 available
Seller: Kenneth Mallory Bookseller ABAA, Decatur, GA, U.S.A.
Hardcover. Condition: Very good. Hardcover. 157pp+ index. Very good hardback in a very good dustjacket. Seller Inventory # 61136
Quantity: 1 available
Seller: Alan Angele Popular Culture, IOBA, Upper Nyack, NY, U.S.A.
Hardcover. Condition: As New. Dust Jacket Condition: As New. 1st Edition. Unclipped dust jacket protected by archival mylar. Seller Inventory # 003251
Quantity: 1 available
Seller: Sainsbury's Books Pty. Ltd., Camberwell, VIC, Australia
4to.159pp, 123 colour and black & white illustrations. A very good hardback copy in like dust jacket. Remainder mark. Seller Inventory # 125993
Quantity: 1 available
Seller: Hammonds Antiques & Books, St. Louis, MO, U.S.A.
Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 0.79 x 12.05 x 9.37 Inches; 159 pages; Ever since their creation in nineteenth-century France, Adolphe Braun's photographic images have been uniformly praised for their beauty. Braun was a trained textile designer who initially used the nascent technology of photography to document the French landscape and architecture, traditional regional costume, animal breeds and husbandry, and the events and legacies of the Franco-Prussian war. Braun's opulent bouquets of flowers are at once lush, delicate, and richly tonal; his landscapes are breathtaking and immediate; his animal studies arresting; his war photos dramatic and unrelenting. He created thousands of visual souvenirs of pristine alpine sites and would ultimately become one of the first to reproduce works of art photographically for a mass audience. Although the creation of "fine art" was not his intention, Braun produced work that was (and still is) synonymous with superb technical and artistic resolution, as he sought to identify popular uses for the process of photography. Through Braun's provocative work, Image and Enterprise explores the origins of contemporary visual communication--from the evolution of photography to the means of dissemination to the public. The introductory essays give an overview of Braun's photographic enterprise, his use of new technology, and the political and economic climate in which his business flourished. Other essays examine discrete aspects of Braun's work in the context of contemporary social, economic, and cultural history. Published to accompany an exhibition at the Rhode Island School of Design and the Cleveland Museum of Art. Seller Inventory # 86414
Quantity: 1 available
Seller: Powell's Bookstores Chicago, ABAA, Chicago, IL, U.S.A.
Condition: Used - Very Good. 2000. illustrated edition. Hardcover. Very Good. Seller Inventory # D109316
Quantity: 1 available