After four centuries of almost complete neglect, Piero della Francesca is now one of the best known and best loved of all Renaissance painters - to such an extent that the route from one work to another has become the tourists' "Piero della Francesca Trail". Sir John Pope-Hennessy takes a fresh look at the facts of Piero's career and the significance of his paintings. A clear chronology establishes the probable sequence of his activities in Arezzo, Borgo San Sepolcro, Monterchi and Urbino. In assessing the greatness of Piero's art, we need to concentrate on the works themselves: their structure, their theoretical basis, their use of mathematical research and the visual sensibility that was peculiar to Piero's own psychology. Only then shall we see them for what they really are.
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SIR JOHN POPE-HENNESSY, one of the great art historians of the twentieth century and perhaps its greatest authority on Italian Renaissance art, was born in 1913. He served as Director of the Victoria and Albert Museum and Consultative Chairman of the Department of European Paintings at the Metropolitan Museum of Art. His many publications are now standard works of reference and include An Introduction to Italian Sculpture, Italian Gothic Sculpture, Italian Renaissance Sculpture, Italian High Renaissance and Baroque Sculpture and Cellini as well as many monographs and his masterwork, Donatello. Sir John died in 1995.
Art historian Pope-Hennessy was one of the world's foremost authorities on Italian Renaissance art. In 1993, two years before his death, he released this slim volume, which opens with the following sentiment: "There comes a point in life when the artists one has known cease to be objects of research and become friends." He offers here the life of della Francesca, along with a guide to his work buttressed with 52 color illustrations. As a bonus, this also includes Aldous Huxley's 1938 essay The Best Picture, which inspired Pope-Hennessy to study the artist. Gorgeous.
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Condition: USED_VERYGOOD. 64 p.: ill. Leichte Abnutzung, sonst sehr gutes Exemplar / Light wear, otherwise very good copy. - After four centuries of almost complete neglect, Piero della Francesca is now one of the best known and best loved of all Renaissance painters to such an extent that the route from one work to another has become the tourists' "Piero della Francesca Trail." Sir John Pope, Hennessy here takes a fresh look at the facts of Piero's career and the significance of his paint' ings. For the first time, a clear chronology establishes the probable sequence of his activities in Arezzo, Borgo San Sepolcro, Monterchi and Urbino. In assessing the paintings as works of art, we need to clear our minds of both our personal concerns and the ingenuities of art' historians and to concentrate on the works themselves: their structure (essential for an understanding of the complicated Arezzo fres' coes), their theoretical basis (largely derived from Alberti), their use of mathematical research (one of Piero's preoccupations) and the visual sensibi' lity that was peculiar to Piero's own psychology. Only then shall we see these paintings for what they really are. Sir John Pope'Hennessy has spent a lifetime holding leading positions in the world of the arts, and is the author of numerous definitive books on Renaissance painting and sculpture. He has been director of the Victoria and Albert Museum and the British Museum, London, Slade Professor of Fine Art at both Oxford and Cambridge and Consultative Chairman of the Department of European Painting at the Metro' politan Museum, New York. Since 1977 he has been Professor of Fine Arts at New York University, but lives mostly in Florence, devot' ing himself to writing and research. ISBN 9780500550243 Sprache: Englisch Gewicht in Gramm: 293 Leinen mit Schutzumschlag / Cloth with dust jacket. Seller Inventory # 1195570
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