Born to a serial killer, Jessica Shepard has devoted her life to tracking down men who destroy innocent lives. A survivor—and a loner—the hunt is her blood. She’s an expert.
What does she want to forget? Then a man is found floating in San Francisco Bay—beaten to death with his flesh marked by a single cigarette burn. Jessica knows that this isn’t a routine case, and that he’s no ordinary victim. He’s a man she once knew intimately. For one single lonely night. And he’s not going to be the last of her lovers to die. Now, Jessica knows what no other cop does: the truth of what happened in the victims’ final hours. There’s just one problem—Jessica doesn’t remember a thing. And what she doesn’t remember could be the death of her.
Now a major motion picture from Paramount.
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John J. Nance is the bestselling author of Pandora's Clock and Medusa's Child, both of which have been adapted as four-hour television miniseries. An aviation analyst for the ABC Television Network and aviation editor for Good Morning America, Nance is also a licensed attorney, a veteran Air Force reserve officer/pilot, a nationally known professional speaker, and an airline captain for a major US carrier. He lives and writes in Tacoma, Washington.
The talented Nance, an air safety analyst, retired Air Force pilot, and civilian 737 pilot for a major airline, here keeps the tension as high and nasty as in his last two airborne thrillers, The Last Hostage (1998) and Medusas Child (1997). It all begins when SeaAir Flight 122 crashes over the Gulf of Mexico, a crash as inexplicable as the recent sudden loss of an Egypt Airlines plane. Meanwhile, in Hong Kong, FBI Special Agent Kat Bronsky, who has just given a talk at an airline counterterrorist panel, is heading back to the States when Robert McCabe, investigative reporter for the Washington Post, implores her to listen to a tale of murder that he believes involves terrorists. They board a 747 to fly back to the States together, but Kat is called off the plane by her boss and ordered to stay in Hong Kong. The 747 is two hours out into its flight when a white flash explodes before the cockpit, killing the pilot and blinding the copilot. Although the automatic pilot helps, theres no one to fly or land the planeand some amusing humor about Leslie Nielsons air-disaster movies arises. McCabe and various passengers, none of them licensed pilots, gather in the cockpit to help the blind pilot turn back to Hong Kong and attempt to land. But they fail, taking out a control tower, and must now fly their radio- and radar-disabled plane to Thailand through lightning storms and other deviltries. Among the pilots new aides are a lippy 14-year-old boy, who becomes the hands-on pilot, and an unsinkable Kathy Bates/Molly Brown character, Dallas Nielson (yes, Nielson). Airborne, Nances hand for crackling intensity remains peerless. Once on the ground, the standard figures of melodrama emerge in the forms of deep-dyed villains, law-enforcement fieldworkers, and the harassed US president. If this saga is ever filmed, the screenwriter should toss its second half. -- Copyright ©2000, Kirkus Associates, LP. All rights reserved.
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