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Galloway, Janice Blood ISBN 13: 9780517094563

Blood - Hardcover

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9780517094563: Blood

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Synopsis

A collection of short stories whose main subject is fear - from the dawning terror of a child abused by her uncle to an adult's day-to-day dread of strangers. Throughout there is seen to be a constant underlying threat of violence. The author also wrote "The Trick is to Keep Breathing".

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About the Author

Janice Galloway's first novel, The Trick is to Keep Breathing, now widely regarded as a Scottish contemporary classic, was published in 1990 and won the MIND/Allen Lane Book of the Year. Her second novel, Foreign Parts, won the American Academy of Arts and Letters E. M. Forster Award while her third, Clara, about the tempestuous life of nineteenth-century pianist Clara Wieck Schumann, won the Saltire Award in 2002. Collaborative texts include an opera with Sally Beamish and three cross-discipline works with Anne Bevan, the Orcadian sculptor. Her 'anti-memoir', This Is Not About Me, was published by Granta in September 2008 to universal critical acclaim. She lives in Lanarkshire.

From Kirkus Reviews

A story collection from Scottish writer Galloway--reflecting a typically bleak late-20th-century British landscape and informing ethos--makes its American debut. Galloway writes about a sunless world of grimy streets, drunken men, and brutalized women. Many of the pieces are little more than brief sketches of a mood, place, or character; others resemble scenes from a play. All are relentlessly downbeat, even macabre. In the title story, a callous dentist dismisses a young patient after an extraction, ``with an unstoppable redness seeping through the fingers of her open mouth.'' In ``Breaking Through,'' a beloved cat is allowed to burn to death while a little girl watches; and in ``Two Fragments,'' two equally nasty explanations are given to a child for her grandmother's glass eye. Three notable pieces are: ``Later He Would Open His Eyes in a Strange Place, Wondering Where She,'' in which an elderly couple read the biography of Arthur Koestler, then decide to imitate him by committing suicide together; ``Plastering the Cracks,'' where a young woman engages some workmen but, later, eavesdropping through the wall, becomes fearful of their intentions; and ``A Week with Uncle Felix,'' in which Stenga, a withdrawn young girl unable to ask questions about her long-dead father (``You couldn't ask what he was like: that was the kind of question you never got much of an answer for. Or it got turned into something else: drunk and violent'') is abused by an elderly uncle. Powerful images and ideas in stories often too elliptical and fragmentary to engage fully. An interesting but uneven debut. -- Copyright ©1991, Kirkus Associates, LP. All rights reserved.

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