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Synopsis
Booth travels to the funeral of master bluesman John Hurt with slide-guitar virtuoso Furry Lewis, a man steeped in Southern history. Here is Memphis, a small town still living through the traumas of the Civil War and yellow fever, inspiring memories of riverboats, medicine shows, murder, Elvis Presley, B.B. King, Otis Redding, the Bar-Kays, and James Brown.
From the Trade Paperback edition.
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About the Author
Stanley Booth's work has appeared in Esquire, Rolling Stone, Playboy, and many other publications. He lives on the Georgia coast, just south of Savannah.
From Kirkus Reviews
Top-flight memoir/article collection on Memphis, blues musicians, and rock 'n' roll, by the author of 1984's Dance with the Devil: The Rolling Stones, who has abandoned the gonzo style of that work for a much more intimate and moving tie with the reader. Most of these pieces first appeared in Playboy, Esquire, Rolling Stone, Smart, etc. Here, however, Booth dresses them up with tasty slabs of soul-memory about how each came to be--so the collection hangs together with unusual strength, emerging from the weathers and currents of Memphis and the blues at the birth of rock 'n' roll. Perhaps the most brilliantly inventive piece is the first, ``Standing at the Crossroads,'' a two-character, one-act play about haunted bluesman Robert Johnson literally (he thinks) selling his soul to the devil at midnight on a deserted crossroads in the Mississippi Delta. Several sections commemorate the fading energies of Beale Street and its music halls, and the deaths and funerals of many bluesmen and rockers Booth knew personally, including Mississippi John Hurt, Charlie Freeman, and Otis Redding. Booth interviewed Redding a week before the singer died. Outstanding is ``Furry's Blues,'' the true story of a one-legged blues singer/guitarist who spent 40 years as a Memphis street- sweeper while playing occasional weekends in clubs. Booth relives the first glories of Sun Records in his hometown and the rise of Elvis, then does a stinging piece on Elvis in 1967, when he was supersaturated with success. Janis Joplin's failure before a half- black audience, because her pickup band wasn't blues trained, is a highlight, as are pieces on Keith Richards, Al Green, and Phineas Newborn. Feelingful all the way, and a tribute to the blues. -- Copyright ©1992, Kirkus Associates, LP. All rights reserved.
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- PublisherRandom House Value Publishing
- Publication date1994
- ISBN 10 0517118033
- ISBN 13 9780517118030
- BindingHardcover
- Number of pages254
- Rating
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