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Gestalt theory and the psychology of visual perception form the basis for an analysis of art and its basic elements
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"In The Ego and the Id Freud argued that a cogent thought process, to say nothing of conscious intellectual work, could not exist amidst the unruliness of visual experience. Over the last half century in a sequence of landmark books, Rudolf Arnheim has not only shown us how wrong that is, he has parsed the grammar of form with uncanny acuity and taught us how to read it."—Jonathan Fineberg, author of Art since 1940: Strategies of Being
About the Author:
Rudolf Arnheim is Professor Emeritus of the Psychology of Art at Harvard University. His books include Film as Art (California, 1957), Visual Thinking (1969), The Dynamics of Architectural Form (California, 1977), The Split and the Structure: Twenty-eight Essays (California, 1996).
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- PublisherUniv of California Pr
- Publication date1974
- ISBN 10 0520023277
- ISBN 13 9780520023277
- BindingPaperback
- Number of pages418
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Art and Visual Perception: A Psychology of the Creative Eye.
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ART AND VISUAL PERCEPTION: A PSY
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