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Faces of Power: Alexander's Image and Hellenistic Politics (Volume 11) (Hellenistic Culture and Society) - Hardcover

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Synopsis

Alexander the Great changed the face of the ancient world. During his life and after his death, his image in works of art exerted an unprecedented influence–on marbles, bronzes, ivories, frescoes, mosaics, coins, medals, even painted pottery and reliefware. Alexander's physiognomy became the most famous in history. But can we really know what meaning lies behind these images?

Andrew Stewart demonstrates that these portraits―wildly divergent in character, quality, type, provenance, date, and purpose―actually transmit not so much a likeness of Alexander as a set of carefully crafted clichés that mobilize the notion "Alexander" for diverse ends and diverse audiences. Stewart discusses the portraits as studies in power and his original interpretation of them gives unprecedented fullness and shape to the idea and image called "Alexander."

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From the Back Cover

"There is no more evocative Greek portrait type than that of Alexander the Great. By exploring its potency and development in antiquity . . . Stewart has made an impressive demonstration of the value of this broader approach to a traditional art-historical subject." (Sir John Boardman, Ashmolean Museum)

About the Author

Andrew Stewart is Professor of Greek and Roman Art at the University of California at Berkeley. His most recent book is Greek Sculpture: An Exploration (1990).

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  • PublisherUniversity of California Press
  • Publication date1994
  • ISBN 10 0520068513
  • ISBN 13 9780520068513
  • BindingHardcover
  • LanguageEnglish
  • Edition number1
  • Number of pages550
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    • 4.25 out of 5 stars
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Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. Light edgewear and faint creasing to DJ. ; Hellenistic Culture and Society; 545 pages; Alexander the Great changed the face of the ancient world. During his life and after his death, his image in works of art exerted an unprecedented influence on marbles, bronzes, ivories, frescoes, mosaics, coins, medals, even painted pottery and relief ware. Alexander's physiognomy became the most famous in history. But can we really know what meaning lies behind these images? Andrew Stewart demonstrates that these portraits wildly divergent in character, quality, type, provenance, date, and purpose actually transmit not so much a likeness of Alexander as a set of carefully crafted cliches that mobilize the notion "Alexander" for diverse ends and diverse audiences. Stewart discusses the portraits as studies in power and his original interpretation of them gives unprecedented fullness and shape to the idea and image called "Alexander.". Seller Inventory # 33294

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