About the Author:
Andrew Horton is Professor of Film and Literature at the University of Oklahoma and Director of the Aegean Institute. He is author of the popular Writing the Character-Centered Screenplay (California, 1994) and other books. Stuart Y. McDougal is Director of the Program in Comparative Literature at the University of Michigan. His previous books include Made into Movies: From Literature to Film (1985).
From Library Journal:
This collection of original essays on movie remakes explores the phenomenon from divergent anglesAand not just the artistic. Included are a psychological examination of the motivation of a specific director (Spielberg), a Freudian dissection of an often-filmed story (The Jazz Singer), how being the product of a specific time and culture effects a remake (Robin Hood), and an inspection of popular mythology (Dracula). In their choice of essays, editors Horton and McDougal have stretched the common definition of movie remake almost beyond usefulness. They include in this category not only films that are new versions of movies previously made but also adaptations from other media; movies that allude in a single shot, camera angle, motif, or line to an earlier film; and makeovers, which they define as a film that substantially alters the original for its own purposes. Still, little serious has been written on the subject of movie remakes, recommending this for academic libraries and subject collections.AMarianne Cawley, Charleston Cty. Lib., S.C.
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