Music in America's Cold War Diplomacy (Volume 18) (California Studies in 20th-Century Music) - Hardcover

Fosler-Lussier, Danielle

Hardcover

ISBN 10: 0520284135 ISBN 13: 9780520284135

Publisher: University of California Press, 2015

Synopsis

During the Cold War, thousands of musicians from the United States traveled the world, sponsored by the U.S. State Department’s Cultural Presentations program. Performances of music in many styles―classical, rock ’n’ roll, folk, blues, and jazz―competed with those by traveling Soviet and mainland Chinese artists, enhancing the prestige of American culture. These concerts offered audiences around the world evidence of America’s improving race relations, excellent musicianship, and generosity toward other peoples. Through personal contacts and the media, musical diplomacy also created subtle musical, social, and political relationships on a global scale. Although born of state-sponsored tours often conceived as propaganda ventures, these relationships were in themselves great diplomatic achievements and constituted the essence of America’s soft power. Using archival documents and newly collected oral histories, Danielle Fosler-Lussier shows that musical diplomacy had vastly different meanings for its various participants, including government officials, musicians, concert promoters, and audiences. Through the stories of musicians from Louis Armstrong and Marian Anderson to orchestras and college choirs, Fosler-Lussier deftly explores the value and consequences of “musical diplomacy.”

About this title

From the Inside Flap:

“Balanced, insightful, and meticulously researched, Danielle Fosler-Lussier’s book is a magnificent account of the ways in which the U.S. government used music to advance its foreign policy goals during the Cold War. For the first time we are taken behind the triumphalist headlines and uncritical mythology of stars and swooning publics surrendering to the irresistible forces of U.S. ‘soft power’ to see the inner workings of the cultural Cold War. The underlying message is that foreign policy―like so much in life―rests on building and maintaining relationships and that for the superpower as for the musician, success begins with listening.”
― Professor Nicholas J. Cull, author of The Cold War and the United States Information Agency: American Propaganda and Public Diplomacy, 1945–1989

“Due to their profound differences, the interstices between governments and the arts are always worthy of attention. Danielle Fosler-Lussier has written a thorough, well-documented, and captivating account of how the U.S. State Department attempted, with some success, to bolster America’s image by sending musicians abroad during the Cold War era. Although I had been one of these musicians, I was surprised at their number and variety, ranging from Dizzy Gillespie to Aaron Copland, from the Boston Symphony Orchestra to Tom Two Arrows, and from Merce Cunningham to Gene Kelly. It is fascinating to discover the inner workings of how artists were selected, how countries were chosen, and how the tours were presented, as well as to read about the subsequent debates regarding the value of the tours. This book offers us not only the opportunity to understand an intriguing aspect of our cultural and political history, but also a chance to reflect upon who we were and who we are.”―Stephen Addiss, author of The Art of Haiku

About the Author:

Danielle Fosler-Lussier is Associate Professor of Music, Ohio State University, and author of Music Divided: Bartók's Legacy in Cold War Culture.

About this edition

• Publisher: University of California Press
• Publication date: 2015
• ISBN 10: 0520284135
• ISBN 13: 9780520284135
• Binding: Hardcover
• Edition number: 1
• Number of pages: 344