Gillian Jondorf challenges the traditional critical approaches to French Renaissance theater, reevaluating its literary merit and originality. She shows how playwrights of the sixteenth century actually achieved an originality by introducing classical themes, breaking with the medieval tradition of religious and morality plays. Whereas many critics have considered writers of French Renaissance drama as mere forerunners of the more famous seventeenth-century writers such as Molière or Racine, Jondorf argues that these plays should be seen as competent and skillfully-composed in their own right. This book will appeal to students of Renaissance literature and European drama, as well as those interested in questions of originality and literary influence.
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The tragedies produced in France in the sixteenth century by writers such as Garnier, La Taille, and Jodelle are increasingly accessible in good modern editions. Their subject matter included Bible stories and recent history, as well as Greek legend and Roman history. Until now, scholars have tended to regard them as a staging post on the road to Corneille and Racine.
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Seller: Antiquariat Thomas Haker GmbH & Co. KG, Berlin, Germany
Paperback. Condition: Wie neu. 1st ed. 188 S. Like new. Shrink wrapped. Sprache: Englisch Gewicht in Gramm: 365. Seller Inventory # 828872
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Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condition: new. Paperback. The principle aim of this 1990 book is to encourage readers to find pleasure in sixteenth-century tragedies. To this end, Gillian Jondorf examines a range of plays (all accessible in modern editions) in two ways. She suggests, by means of comparisons with other works, that techniques such as allusiveness need be no more forbidding in humanist tragedy than in, say, Racine or Lamartine. She shows how other features, such as characterization, structure, and the use of Choruses, become not only comprehensible but satisfying when the guiding theme or idee maitresse of a play has been identified and its organizing principles understood. Dr Jondorf argues that these plays should be seen not as pardonably clumsy experiments by the first practitioners of a genre, but as competent works which display skilful deployment of technique in the service of dramatic aims which are, in the broadest sense, didactic. French Renaissance tragedy has too often been treated, even by its defenders, merely as a staging post on the road that leads to Corneille and Racine. This book corrects that perspective. The tragedies produced in France in the sixteenth century by writers such as Garnier, La Taille, and Jodelle are increasingly accessible in good modern editions. Their subject matter included Bible stories and recent history, as well as Greek legend and Roman history. Until now, scholars have tended to regard them as a staging post on the road to Corneille and Racine. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780521025584
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Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
Condition: New. The principle aim of this 1990 book is to encourage readers to find pleasure in sixteenth-century tragedies. Series Editor(s): Sheringham, Michael. Series: Cambridge Studies in French. Num Pages: 188 pages, 1 b/w illus. BIC Classification: 2ADF; DSBD; DSG. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 216 x 138 x 11. Weight in Grams: 250. . 2008. Revised ed. paperback. . . . . Seller Inventory # V9780521025584
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