Britain's role in the First World War has been portrayed through literature, films and plays with a marked un-historical, anti-war spirit. Deeply-rooted myths have thus become dominant and historians have either endorsed them, or have written narrowly for other specialists. As a result of the opening of official military archives and more objective study, these portrayals are now being challenged. This book traces the controversy from 1918 to the present, concluding that historians are finally permitting World War I to be placed in a more accurate perspective.
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Britain's role in the First World War has been portrayed mainly through literature, films and plays, in most cases with a marked un-historical, anti-war spirit. As a result deeply-rooted myths have become dominant. Historians have either endorsed them, or have written narrowly for other specialists. Now, thanks to the opening of the official archives and a more objective approach, the myths are being challenged. This book follows the controversy from 1918 to the present, and concludes that historians are at last permitting the War to be placed in proper perspective.
Brian Bond is Emeritus Professor of Military History, King's College London. One of Britain's leading military historians, he has been President of the British Commission for Military History since 1986.
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Paperback. Condition: new. Paperback. Britain's outstanding military achievement in the First World War has been eclipsed by literary myths. Why has the Army's role on the Western Front been so seriously misrepresented? This 2002 book shows how myths have become deeply rooted, particularly in the inter-war period, in the 1960s, and in the 1990s. The outstanding 'anti-war' influences have been 'war poets', subalterns' trench memoirs, the book and film of All Quiet on the Western Front, and the play Journey's End. For a new generation in the 1960s the play and film of Oh What a Lovely War had a dramatic effect, while more recently Blackadder has been dominant. Until more recently, historians had either reinforced the myths, or had failed to counter them. This book follows the intense controversy from 1918 to the present, and concludes that historians are at last permitting the First World War to be placed in proper perspective. Britain's outstanding military achievement in the First World War has been eclipsed by literary myths. Why has the Army's role on the western front been so seriously misrepresented? This book shows how myths have become deeply rooted, particularly in the inter-war period, in the 1960s, and in the 1990s. The outstanding 'anti-war' influences have been 'war poets', subalterns' trench memoirs, the book and film of All Quiet on the Western Front, and the play Journey's End. For a new generation in the 1960s the play and film of Oh What a Lovely War had a dramatic effect, while more recently Blackadder has been dominant. Until recently historians had either reinforced the myths, or had failed to counter them. This book follows the intense controversy from 1918 to the present, and concludes that historians are at last permitting the First World War to be placed in proper perspective. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780521036412
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