Hugo Riemann and the Birth of Modern Musical Thought (New Perspectives in Music History and Criticism, Series Number 11) (Volume 0) - Softcover
Book 2 of 10: New Perspectives in Music History and Criticism
Synopsis
Hugo Riemann (1849-1919) is generally acknowledged as the most important musicologist of his age. By analyzing his musical thought within the turn-of-the-century context of interest in the natural sciences, German nationhood and modern technology, this book reconstructs how Riemann's ideas not only "made sense" but advanced a belief of the tonal tradition as both natural and German. Riemann influenced the ideas of generations of music scholars because his work coincided with the institutionalization of academic musicology around the turn of the last century.
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About the Author
Alexander Rehding is Cotsen Fellow at the Princeton Society of Fellows. He is co-editor of Music Theory and Natural Order from the Renaissance to the Early Twentieth Century (Cambridge University Press 2001). He was awarded the Jerome Roche Prize of the Royal Musical Society in 2001.
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Hugo Riemann and The Birth of Modern Musical Thought
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Hugo Riemann and the Birth of Modern Musical Thought (New Perspectives in Music History and Criticism, Series Number 11)
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Hugo Riemann and the Birth of Modern Musical Thought (Paperback)
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Paperback. Condition: new. Paperback. Generally acknowledged as the most important German musicologist of his age, Hugo Riemann (18491919) shaped the ideas of generations of music scholars, not least because his work coincided with the institutionalisation of academic musicology around the turn of the last century. This influence, however, belies the contentious idea at the heart of his musical thought, an idea he defended for most of his career - harmonic dualism. By situating Riemann's musical thought within turn-of-the-century discourses about the natural sciences, German nationhood and modern technology, this book reconstructs the cultural context in which Riemann's ideas not only 'made sense' but advanced an understanding of the tonal tradition as both natural and German. Riemann's musical thought - from his considerations of acoustical properties to his aesthetic and music-historical views - thus regains the coherence and cultural urgency that it once possessed. By situating Riemann's musical thought within turn-of-the-century discourses about the natural sciences, German nationhood and modern technology, this book reconstructs the cultural context in which Riemann's ideas not only 'made sense' but advanced an understanding of the tonal tradition as both natural and German. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780521096362
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Hugo Riemann and the Birth of Modern Musical Thought (New Perspectives in Music History and Criticism, Series Number 11) (Volume 0)
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Hugo Riemann and the Birth of Modern Musical Thought
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Hugo Riemann and the Birth of Modern Musical Thought (New Perspectives in Music History and Criticism)
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Hugo Riemann and the Birth of Modern Musical Thought (New Perspectives in Music History and Criticism, Series Number 11) (Volume 0)
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Hugo Riemann and the Birth of Modern Musical Thought: 11 (New Perspectives in Music History and Criticism, Series Number 11)
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Condition: New. Demonstrates how Riemann's theories advanced an understanding of the tonal tradition as both natural and German. Series: New Perspectives in Music History and Criticism. Num Pages: 232 pages, 47 music examples. BIC Classification: AVA. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 229 x 166 x 14. Weight in Grams: 356. . 2009. 1st Edition. paperback. . . . . Seller Inventory # V9780521096362
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Hugo Riemann and the Birth of Modern Musical Thought
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