This book argues that the formal art of the Old English epic Beowulf is shaped and determined by the poetic language that the poet inherited from the traditional, oral culture of Anglo-Saxon England. The patterns of meter and alliteration exhibited in the poem were not imposed by the poet on his language, but were part of the language that he spoke, the rules of which constituted his metrical grammar. Professor Kendall investigates the constraints of syntax, meter and alliteration that govern the formal art of Beowulf. He shows how the half-lines of the poem, which are the basic units of composition, are marked by the metrical grammar for placement in the verse clause; he also establishes conditions for the presence or absence of alliteration, which enable him to say whether in any given instance the alliterative device is a mandatory function of the rules of the metrical grammar or an option exercised by the poet.
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This book argues that the formal art of the Old English epic Beowulf is shaped and determined by the poetic language which the poet inherited from the oral, traditional culture of Anglo-Saxon England.
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Hardcover. Condition: Good. No Jacket. Condition : Good. Ex-university library copy with associated library stamps etc. Hard cover, no jacket. 318pp. No annotations or highlighting to text. Photo on request. Seller Inventory # 942489
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OLn. 1-2, OU. XVI,318 S., Wegen der EPR-Bestimmungen liefern wir nicht nach Bulgarien, Dänemark, Estland, Griechenland, Irland, Litauen, Luxemburg, Malta, Kroatien, Polen, Portugal, Rumänien, Schweden, Slowakei, Slowenien und Ungarn. Sprache: Englisch Gewicht in Gramm: 635. Seller Inventory # 27136
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First edition. Cambridge Studies in Anglo-Saxon England 5. xvi+318 pages with index. Cloth. Fine in like dustjacket. This book argues that the formal art of the Old English epic Beowulf is shaped and determined by the poetic language which the poet inherited from the traditional, oral culture of Anglo-Saxon England. The patterns of metre and alliteration exhibited in the poem were not imposed by the poet on his language, but were part of the language which he spoke, the rules of which constituted his metrical grammar. Professor Kendall investigates the constraints of syntax, metre and alliteration which govern the formal art of Beowulf. He shows how the half-lines of the poem, which are the basic units of composition, are marked by the metrical grammar for placement in the verse clause; he also establishes conditions for the presence or absence of alliteration, which enable him to say whether in any given instance the alliterative device is a mandatory function of the rules of the metrical grammar or an option exercised by the poet. Professor Kendall alters traditional views of metre; he concludes the book with a complete index of scansion according to the rules he has established. Seller Inventory # 2899
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HardBack. Condition: Very Good. Dust Jacket Condition: Very Good. First edition. 1st Edition. xvi, 318pp. Very good clean tight sound square, no bookplate, inscriptions or marks of any kind. In blue cloth with bright gilt text and vignette illustration. With original matt pictorial dustwrapper with the slightest of rubbing to head of spine, not detracting or intruding.A great addition for reader, scholar and collector alike. Seller Inventory # 100060187
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