The limits of interpretation--what a text can actually be said to mean--are of double interest to a semiotician whose own novels' intriguing complexity has provoked his readers into intense speculation as to their meaning. Eco's illuminating and frequently hilarious discussion ranges from Dante to The Name of the Rose, Foucault's Pendulum, to Chomsky and Derrida, and bears all the hallmarks of his inimitable personal style. Three of the world's leading figures in philosophy, literary theory and criticism take up the challenge of entering into debate with Eco on the question of interpretation. Richard Rorty, Jonathan Culler and Christine Brooke-Rose each add a distinctive perspective on this contentious topic, contributing to a unique exchange of ideas among some of the foremost and most exciting theorists in the field.
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Semioticist Eco and three scholars debate whether there are limits to the interpretations of a text and whether the author's intentions are relevant. Eco seeks to limit the degree to which texts can be interpreted, explains how overinterpretations can be recognized based on the intention of the work, and argues that the author of the text can rule out some interpretations. Rorty, a pragmatist, feels that texts should be able to be used for the readers' own purposes. Jonathan Culler, a literary theorist, defends "overinterpretation," and critic Christine Brook-Rose digresses slightly by discussing what she calls "palimpsest history." In the final lecture, Eco responds to Rorty's assertions. This is high-level literary theory, expressed brilliantly, appropriate primarily for academic and large public libraries.
- Ann Irvine, Kensington Park Lib., Md.
Copyright 1992 Reed Business Information, Inc.
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