Embodied Voices explores cultural manifestations of feminine vocality in the light of current theories of subjectivity, the body, and sexual difference. The voice has been endlessly fascinating to artists and critics, yet it is the voices of women that have inspired the greatest fascination, because the female voice signifies sexual and cultural power. The fourteen essays in this book examine a wide spectrum of discourses, including myth, literature, music,...
Embodied Voices explores cultural manifestations of female vocality in light of current theories of subjectivity, the body and sexual difference. The fourteen essays collected here examine a wide spectrum of discourses, including myth, literature, music, film, psychoanalysis, and critical theory.
"The essays of 'Embodied Voices' are important because they teach us--as music theorists--about the varieties of performative embodiment that are correlated with music's expressive powers." Judy Lochhead, Music Theory On-Line
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Condition: Gut. XVII; 254 Seiten; Illustr.; Noten; graph. Darst.; 23,5 cm; fadengeh. Orig.-Pappband. Gutes Ex.; leichte Gebrauchs- u. Lagerspuren; ex-library; Stempel; Bibliotheksexemplar. - Englisch. - INHALT : List of illustrations Notes on contributors Acknowledgments Introduction ----- PART I ----- Vocality, textuality, and the silencing of the female voice ----- The Gorgon and the nightingale: the voice of female lament and Pindar's twelfth Pythian Ode ----- CHARLES SEGAL ----- Music and the maternal voice in Purgatorio XIX ----- NANCY A. JONES ----- Ophelia's songs in Hamlet: music, madness, and the feminine LESLIE C. DUNN ----- Wordsworth and Romantic voice: the poet's song and the prostitute's cry ----- SARAH WEBSTER GOODWIN PART II ----- Anxieties of audition ----- "No women are indeed": the boy actor as vocal seductress in late sixteenth- and early seventeenth-century English drama ----- LINDA PHYLLIS AUSTERN ----- Deriding the voice of Jeanette MacDonald: notes on psychoanalysis and the American film musical ----- EDWARD BARON TURK ----- Adorno and the Sirens: tele-phono-graphic bodies ----- Barbara Engh ----- PART III ----- Women artists: vocality and cultural authority The diva doesn't die: George Eliot's Artngart ----- REBECCA A. POPE ----- Rewriting Ophelia: fluidity, madness, and voice in Louise Colet's La Servante ----- JANET BEIZER ----- Staring the camera down: direct address and women's voices ----- AMY LAWRENCE ----- The voice of lament: female vocality and performative efficacy in the Finnish-Karelian itkuvirsi ----- ELIZABETH TOLBERT PART IV ----- Maternal voices ----- The lyrical dimensions of spirituality: music, voice, and language in the novels of Toni Morrison ----- KARLA F. C. HOLLOWAY ----- Red hot mamas: Bessie Smith, Sophie Tucker, and the ethnic maternal voice in American popular song ----- PETER ANTELYES ----- Maternalism and the material girl ----- NANCY J. VICKERS ----- Index. ISBN 0521460123 Sprache: Englisch Gewicht in Gramm: 550. Seller Inventory # 1238920
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