Philip Edwards deals succinctly with the exhaustive commentary and controversy which Hamlet has provoked in the manifestation of its tragic energy. Robert Hapgood has contributed a new section on prevailing critical and performance approaches to the play in this updated edition. He discusses recent film and stage performances and actors of the Hamlet role as well as directors of the play. His account of new scholarship stresses the role of memory in the play and the impact of feminist and performance studies upon it. First Edition Hb (1985): 0-521-22151-X First Edition Pb (1985): 0-521-29366-9
"synopsis" may belong to another edition of this title.
Philip Edwards deals succinctly with the huge volume of commentary and controversy which Hamlet has provoked and offers a way forward which recognizes its full tragic energy. For this updated edition, Robert Hapgood has added a new section on prevailing critical and performance approaches to Hamlet. He discusses recent film and stage performances, actors of the Hamlet role as well as directors of the play; his account of new scholarship stresses the role of remembering and forgetting in the play, and the impact of feminist and performance studies.
fm.author_biographical_note1 fm.author_biographical_note2 fm.author_biographical_note3
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Seller: Orion Tech, Kingwood, TX, U.S.A.
paperback. Condition: Fair. Seller Inventory # 0521532523-4-33136691
Seller: World of Books (was SecondSale), Montgomery, IL, U.S.A.
Paperback. Condition: Good. The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. This second edition of Hamlet, edited by Philip Edwards, brings readers, playgoers and directors into the closest possible contact with Shakespeare's most famous and perplexing play. In the introduction, Edwards explores the possibility that Shakespeare made important alterations to Hamlet as it neared production, creating differences between the two early texts, quarto and folio. Edwards concentrates on essentials, dealing succinctly with the huge volume of commentary and controversy that the play has provoked, and offers a way forward that enables us to recognise Hamlet's full tragic energy. In a new supplementary section, Robert Hapgood discusses recent stage, film and critical interpretations of the play. Seller Inventory # 00104041525
Seller: World of Books Inc, Montgomery, IL, U.S.A.
Paperback. Condition: Good. The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. This second edition of Hamlet, edited by Philip Edwards, brings readers, playgoers and directors into the closest possible contact with Shakespeare's most famous and perplexing play. In the introduction, Edwards explores the possibility that Shakespeare made important alterations to Hamlet as it neared production, creating differences between the two early texts, quarto and folio. Edwards concentrates on essentials, dealing succinctly with the huge volume of commentary and controversy that the play has provoked, and offers a way forward that enables us to recognise Hamlet's full tragic energy. In a new supplementary section, Robert Hapgood discusses recent stage, film and critical interpretations of the play. Seller Inventory # CIN0521532523G
Seller: Better World Books: West, Reno, NV, U.S.A.
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