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Chromatic Beauty in the Late Medieval Chanson: An Interpretation of Manuscript Accidentals - Hardcover

 
9780521550512: Chromatic Beauty in the Late Medieval Chanson: An Interpretation of Manuscript Accidentals

Synopsis

This book provides an in-depth study of the late medieval chanson, from Gace Brulé through Guillaume Du Fay. It is largely concerned with interpretation of the way accidentals function, not only at the level of local detail but also as part of the overall design, and explores the way inflections are used by the composer as an expressive tool. Support for this approach comes from reference to causa pulchritudinis ("by reason of beauty"), a justification for chromatic writing first encountered at the beginning of the fourteenth century.

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"I like this book. It is well written and edited, and it is argued both subtly and strongly...it presents a point of view that has always been present in our field though rarely discussed clearly." Peter Urquhart, Notes

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  • PublisherCambridge University Press
  • Publication date1997
  • ISBN 10 0521550513
  • ISBN 13 9780521550512
  • BindingHardcover
  • LanguageEnglish
  • Number of pages242

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9780521028882: Chromatic Beauty in the Late Medieval Chanson: An Interpretation of Manuscript Accidentals

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ISBN 10:  0521028884 ISBN 13:  9780521028882
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Brothers, Thomas
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Brothers, Thomas
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Condition: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:0521550513. Seller Inventory # 7093731

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First Edition. Cloth. xiii + 226 pp. Musical examples. New in dustjacket.; 8vo. Seller Inventory # 71787he4

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Hardback. Condition: Near Fine. Dust Jacket Condition: Near Fine. Some faint glue staining at inner edge of front paste-down (an effect produced during printing). Includes list of works cited and index. 226pp. A clean, bright copy. Book. Seller Inventory # 56572

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Hardcover. Condition: new. Hardcover. This book provides an in-depth study of the late medieval chanson, from Gace Brule through Guillaume Du Fay. It is largely concerned with interpretation of the way accidentals function, not only at the level of local detail but also as part of the overall design. Thomas Brothers thus explores the way inflections are used by the composer as an expressive tool. The background problem to which this study responds is the conceptual difficulty we have in interpreting pitch syntax in this repertory. Support for this approach comes from reference to causa pulchritudinis ('by reason of beauty'), a justification for chromatic writing first encountered at the beginning of the fourteenth century. In advancing an interpretation of the musical side of the chanson, Thomas Brothers aims to bring standards closer to what has been achieved in study of sister disciplines of art and literature. A study of the late medieval chanson, from Gace Brule through Guillaume Du Fay. It is concerned with the way accidentals function, at the level of local detail and a part of the overall design; it also explores the way inflections are used by the composer as an expressive tool. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780521550512

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