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Women Intellectuals, Modernism, and Difference: Transatlantic Culture, 1919–1945 (Cultural Margins, Series Number 4) - Softcover
Synopsis
How do gender and race become objects of intellectual inquiry and evaluation? In this book Alice Gambrell examines the careers of a group of women intellectuals--Leonora Carrington, Ella Deloria, H.D., Zora Neale Hurston, and Frida Kahlo--whose scholarly rediscovery coincided with the rise of feminist and minority discourse studies in the academy. Gambrell offers new ways of thinking about the relationships between cultural studies, feminism and minority discourse within the ongoing reassessment of Modernism.
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Review
"Gambrell's book is short but ambitious. There is muchto be said about these female figures and their male interlocutors; and it is a testament to the merit of Gambrell's text that one finishes it wishing for more." Barbara Will, American Literature
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Women Intellectuals, Modernism, and Difference : Transatlantic Culture, 1919-1945
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Cambridge University Press, 1997
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Women Intellectuals, Modernism, and Difference: Transatlantic Culture, 1919 1945
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Women Intellectuals, Modernism, and Difference: Transatlantic Culture, 19191945 (Cultural Margins, Series Number 4)
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Women Intellectuals, Modernism, and Difference : Transatlantic Culture, 1919-1945
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Women Intellectuals, Modernism, and Difference: Transatlantic Culture, 19191945
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Women Intellectuals, Modernism, and Difference: Transatlantic Culture, 19191945 (Cultural Margins) (Volume 4)
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Women Intellectuals, Modernism, and Difference: Transatlantic Culture, 1919-1945 (Cultural Margins, Series Number 4)
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Women Intellectuals, Modernism, And Difference - Transatlantic Culture, 1919-1945
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Women Intellectuals, Modernism, and Difference
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