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Synopsis
Painting in Sixteenth-Century Venice, here published in a revised and updated edition, explores the visual tradition of one of the most important centres of the Italian Renaissance through a study of three masters - Titian, Veronese, and Tintoretto. These painters dominated and shaped the traditions of Venetian painting in the High and Late Renaissance. Establishing the conditions of painting in Renaissance Venice, including the social, economic and political situation of arts and artists and the aesthetic values that distinguish Venetian painting from that of Central Italy, David Rosand also explores the formal principles and technical procedures that determined the uniqueness of painting in Venice, above all the development of oil painting on canvas. He also analyses individual images, altarpieces and mural paintings within the several contexts of conventions and institutions - artistic, social, historical - of Renaissance Venice.
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Book Description
This classic title, first published in 1982 by Yale University Press, out of print since 1987, is now published in a revised and updated edition. David Rosand explores the visual tradition of one of the most important centres of the Italian Renaissance through a study of three masters - Titian, Veronese, and Tintoretto. These painters dominated and shaped the traditions of Venetian painting in the High and Late Renaissance.
Review
"It is a tribute to the lasting value of David Rosand's work that Cambridge University Press has published a revised edition of his Painting in Cinquecento Venice that is little from the original. With updates to the bibliography and endnotes, additional color plates, and an addendum to the preface, this book continues to be an important model and resource for students, teachers, and scholars of Venetian Renaissance art. In a rich and thorough account the revised edition of David Rosand's Painting in Sixteenth-Century Venice further demonstrates the connectedness of formal, aesthetic, and technical concerns, historical and cultural contextual information, and efforts of reception and interpretation." Mary-Ann Winkelmes, Speculum
"About this title" may belong to another edition of this title.
- PublisherCambridge University Press
- Publication date1997
- ISBN 10 0521565685
- ISBN 13 9780521565684
- BindingPaperback
- LanguageEnglish
- Edition number2
- Number of pages301
- Rating
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Painting in Sixteenth-Century Venice: Titian, Veronese, Tintoretto
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Cambridge University Press, 1997
ISBN 10: 0521565685
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Painting in Sixteenth-Century Venice: Titian, Veronese, Tintoretto
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Cambridge University Press, 1997
ISBN 10: 0521565685
ISBN 13: 9780521565684
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Painting in Sixteenth-Century Venice: Titian, Veronese, Tintoretto
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ISBN 10: 0521565685
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Painting in Sixteenth-Century Venice: Titian, Veronese, Tintoretto
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ISBN 10: 0521565685
ISBN 13: 9780521565684
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Painting in Sixteenth-Century Venice : Titian, Veronese, Tintoretto
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ISBN 10: 0521565685
ISBN 13: 9780521565684
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Painting in Sixteenth-Century Venice Titian Veronese Tintoretto
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Painting in Sixteenth-Century Venice: Titian, Veronese, Tintoretto
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ISBN 10: 0521565685
ISBN 13: 9780521565684
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Painting in Sixteenth Century Venice. Titian Veronese Tintoretto
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Cambridge University Press, Cambridge, New York, Melbourne, 1997
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ISBN 13: 9780521565684
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Seller: Lucky Panther Books, Leonia, NJ, U.S.A.
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Soft cover. Condition: Near Fine. No Jacket. This is a revised, updated edition (first published in 1982). Development of oil painting on canvas. Artistic, social, historical aspects of Renaissance Venice, how its art differs from central Italy, much more. Generously illustrated in black & white, and with many color plates, too; heavily referenced. Glossy illustrated wraps are lightly rubbed, otherwise book is fine inside and out. 279 pages, 8 1/2" x11". International shipping may incur additional fee. Seller Inventory # 104976
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Painting in Sixteenth-Century Venice: Titian, Veronese, Tintoretto
Published by
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ISBN 10: 0521565685
ISBN 13: 9780521565684
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Painting In Sixteenth-Century Venice: Titian Veronese Tintoretto (Revised Edition)
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Cambridge University Press Cambridge 1997, 1997
ISBN 10: 0521565685
ISBN 13: 9780521565684
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Seller: THE CROSS Art + Books, Sydney, NSW, Australia
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28.0 x 21.5cms 279pp b/w & colour illusts very good paperback & cover The chapters are: the conditions of painting in Renaissance venice; Titian and the challeneg of the alterpiece; Titian's presentation of the Virgin in the Temple & the Scuola della Carita; theatre & structure in the art of Paolo Veronese; action & piety in Tintoretto's religious pictures. Seller Inventory # 30101296
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