Art and the Roman Viewer presents a fresh analysis of a major intellectual problem in the history of art: why did the arts of Late Antiquity move away from classical naturalism towards spiritual abstraction? Arguing from a close examination of ancient art images and texts, Jas Elsner shows how an understanding of Roman viewing practices greatly deepens our insight into this fundamental transformation. The sophisticated arts of the early empire, such as Pompeian painting, sculpted reliefs and silverware, entertain the potential for irony, parody, and deconstruction. By contrast, the symbolic arts of the Christian empire, notably the mosaics of Ravenna, eschew irony, while complexity remains, indeed intensifies, as multiple meanings compete to enrich a fundamentally sacred truth. By addressing the subtleties inherent in ancient viewing, this study embarks on a quest to enrich our understanding of an era of profound artistic change.
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This book presents a fresh analysis of a major intellectual problem in the history of art: why did the arts of Late Antiquity move away from classical naturalism towards spiritual abstraction? By addressing the subtleties inherent in ancient viewing, this study enriches our understanding of an era of profound artistic change.
'The book crackles with energy ...' R. L. Gordon, The Times Literary Supplement
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25.5 x 18.0cms 376pp b/w & colour illusts very good+ paperback & cover This book shows how an understanding of Roman viewing practices deepens our insight into the drift from Classical naturalism to spiritual abstraction. It shows how the sophisticated arts of the early empire could be ironic parodic and deconstructive while the Christians sought to enrich a fundamentally sacred truth. Seller Inventory # 30042667
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Seller: Salish Sea Books, Bellingham, WA, U.S.A.
Condition: Very Good. Very Good++; Softcover; Close to new condition; Covers are still glossy with "straight" edge-corners; Unblemished textblock edges; The endpapers and all text pages are bright and unmarked; Binding is tight with a straight spine; This book will be shipped in a sturdy cardboard box with foam padding; Medium-Large Format (Quatro, 9.75" - 10.75" tall); Mural illustration to cover with gold borders & title in black lettering; 1997, Cambridge University Press; 399 pages; "Art and the Roman Viewer: The Transformation of Art from the Pagan World to Christianity (Cambridge Studies in New Art History and Criticism)," by Jas Elsner. Seller Inventory # SKU-1082AA06104162
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