What is the role of the Writer? Prophet? High Priest of Art? Court Jester? Or witness to the real world? Looking back on her own childhood and writing career, Margaret Atwood examines the metaphors which writers of fiction and poetry have used to explain--or excuse!--their activities, looking at what costumes they have assumed, what roles they have chosen to play. In her final chapter she takes up the challenge of the title: if a writer is to be seen as "gifted", who is doing the giving and what are the terms of the gift? Atwood's wide reference to other writers, living and dead, is balanced by anecdotes from her own experiences, both in Canada and elsewhere. The lightness of her touch is offset by a seriousness about the purpose and the pleasures of writing, and by a deep familiarity with the myths and traditions of western literature. Margaret Atwood was born in 1939 in Ottawa and grew up in northern Quebec, Ontario, and Toronto. She received her undergraduate degree from Victoria College at the University of Toronto and her master's degree from Radcliffe College. Throughout her thirty years of writing, Atwood has received numerous awards and honorary degrees. Hew newest novel, The Blind Assassin, won the 2000 Booker Prize for Fiction. She is the author of more than twenty-five volumes of poetry, fiction, and non-fiction and is perhaps best known for her novels, which include Alias Grace (1996), The Robber Bride (1994), Cat's Eye (1988), The Handmaid's Tale (1983), Surfacing (1972) and The Edible Woman (1970). Acclaimed for her talent for portraying both personal lives and worldly problems of universal concern, Atwood's work has been published in more than thirty-five languages, including Japanese, Turkish, Finnish, Korean, Icelandic, and Estonian.
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Margaret Atwood was born in 1939 in Ottawa and grew up in northern Ontario, Quebec and Toronto. She received her undergraduate degree from Victoria College at the University of Toronto and her master's degree from Radcliffe College. Throughout her thirty years of writing, Margaret Atwood has received numerous awards and several honorary degrees. She is the author of more than twenty-five volumes of poetry, fiction and non-fiction and is perhaps best-known for her novels, which include The Edible Woman (1970), The Handmaid's Tale (1983), The Robber Bride (1994), Cat's Eye (1988) and Alias Grace (1996). Her novel The Blind Assassin won the 2000 Booker Prize for Fiction. She has an uncanny knack for writing books which anticipate the popular preoccupations of her public. Margaret Atwood has been aclaimed for her talent for portraying both personal and worldly problems of universal concern. Her work has been published in more than thirty languages, including Japanese, Turkish, Finnish, Korean, Icelandic and Estonian.
This book grew out of the series of Empsom lectures that prize-winning novelist Atwood gave at the University of Cambridge in 2000. In it, she addresses a number of fundamental questions: not how to write but the basic position of the writer, why a writer writes, "and for whom? And what is this writing anyway?" Wearing her learning lightly, Atwood allows her wit to shine on almost every page. She probes her life and work along with those of many other writers and brings in myths, fairy tales, movies whatever feeds her themes. Following an initial autobiographical chapter, Atwood addresses major issues: the duplicity evidently inherent in writing; the problems of art vs. money; the problems of art vs. social relevance; the nature of the triangular relationship of writer, reader, and book; and, in the final title chapter, the provocative idea that "all writing of the narrative kind, and perhaps all writing, is motivated, deep down, by a fear of and a fascination with mortality by a desire to make the risky trip to the Underworld, and to bring something or someone back from the dead." Atwood is not looking to provide answers or solutions but to explore the parameters of some interesting questions. The result is engaging food for thought for all who care about writers and writing. Recommended for academic and large public libraries. Mary Paumier Jones, Westminster P.L., CO
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