This book argues that a professional Elizabethan theatre company always contained one actor known as 'the clown'. Its focus is Will Kemp, clown to the Chamberlain's Men from 1594 to 1599 and famed for his solo dance from London to Norwich in 1600. David Wiles combines textual, theatrical and biographical lines of research in order to map out Kemp's career. He shows how Shakespeare and other dramatists made use of Kemp's talents and wrote specific roles as vehicles for him. He discerns a perpetual and productive tension between the ambitions of a progressive writer and the aspirations of a traditional actor whose art was rooted in improvisation. The book also describes the clown tradition in general, dealing with Kemp's inheritance from medieval theatre, with the work of Richard Tarlton, the great comic actor of the 1570s and 1580s, and with Kemp's successor, Robert Armin, who created the 'fool' parts in Shakespeare.
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This book argues that a professional Elizabethan theatre company always contained one actor known as 'the clown'. Its focus is Will Kemp, clown to the Chamberlain's Men from 1594 to 1599 and famed for his solo dance from London to Norwich in 1600. David Wiles combines textual, theatrical and biographical lines of research in order to map out Kemp's career.
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Softcover. First Paperback Edition. Octavo, v, vi, vii, xii, xiii, xiv, 223 pages. In Very Good minus condition. Paperback binding. Spine red and black with white and black lettering. Covers have light wear including slight sunning, minimal scuffs and light edge wear. Text block has very light wear including minor soiling to the fore edge and faint age toning. Slight pencil interiorly. First paperback edition. NOTE: Shelved in Netdesk Column Q, ND-Q. 1394803. FP New Rockville Stock. Seller Inventory # 1394803
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Paperback or Softback. Condition: New. Shakespeare's Clown: Actor and Text in the Elizabethan Playhouse 0.68. Book. Seller Inventory # BBS-9780521673341
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Paperback. Condition: new. Paperback. This book argues that a professional Elizabethan theatre company always contained one actor known as 'the clown'. Its focus is Will Kemp, clown to the Chamberlain's Men from 1594 to 1599 and famed for his solo dance from London to Norwich in 1600. David Wiles combines textual, theatrical and biographical lines of research in order to map out Kemp's career. He shows how Shakespeare and other dramatists made use of Kemp's talents and wrote specific roles as vehicles for him. He discerns a perpetual and productive tension between the ambitions of a progressive writer and the aspirations of a traditional actor whose art was rooted in improvisation. The book also describes the clown tradition in general, dealing with Kemp's inheritance from medieval theatre, with the work of Richard Tarlton, the great comic actor of the 1570s and 1580s, and with Kemp's successor, Robert Armin, who created the 'fool' parts in Shakespeare. This book argues that a professional Elizabethan theatre company always contained one actor known as 'the clown'. Its focus is Will Kemp, clown to the Chamberlain's Men from 1594 to 1599 and famed for his solo dance from London to Norwich in 1600. David Wiles combines textual, theatrical and biographical lines of research in order to map out Kemp's career. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780521673341
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Paperback / softback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days 340. Seller Inventory # C9780521673341
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