This collection of essays explores the literary and cinematic implications of translating Austen's prose into film. It considers how prose fiction and cinema differ; how mass commercial audiences require changes to script and character; and how continually remade films evoke memories of earlier productions. The essays represent widely divergent perspectives, from literary "purists" suspicious of film renderings of Austen to film-makers who see the text as a stimulus for producing exceptional cinema. The comprehensive study will be of interest to students as well as teachers.
"synopsis" may belong to another edition of this title.
This collection of essays explores the literary and cinematic implications of translating Austen's prose into film. Contributors raise questions of how prose fiction and cinema differ, of how mass commercial audiences require changes to script and character, and of how continually remade films evoke memories of earlier productions. The essays represent widely divergent perspectives, from literary 'purists' suspicious of filmic renderings of Austen to film-makers who see the text as a stimulus for producing exceptional cinema. This comprehensive study will be of interest to students and teachers alike.
Gina Macdonald teaches at Nicholls State University in Thibodaux, Louisiana. Her books include James Clavell (1996) and Robert Ludlum (1997).
Andrew Macdonald teaches at Loyola University in New Orleans. He is the author of Howard Fast (1997).
"About this title" may belong to another edition of this title.
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