R.M. Dancy explains the Theory of Forms of the Phaedo and Symposium as the outgrowth of the quest for definitions canvassed in the Socratic dialogues. He, therefore, constructs a Theory of Definition for the Socratic dialogues based on the refutations of definitions in those dialogues, and shows how that theory is mirrored in the Theory of Forms. His discussion ranges in detail over a number of Plato's early and middle dialogues, and will be of interest to readers in Plato studies and in ancient philosophy more generally.
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R. M. Dancy is Professor of Philosophy at Florida State University. He is the author of Sense and Contradiction: A Study in Aristotle (1977) and Two Studies in the Early Academy (1991) and editor of Kant and Critique (1993).
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Condition: Gut. XII, 348 Seiten / p. Aus der Bibliothek von Prof. Wolfgang Haase, langjährigem Herausgeber der ANRW und des International Journal of the Classical Tradition (IJCT) / From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - leicht berieben und bestoßen, ansonsten tadelloser Zustand / slightly rubbed and scuffed otherwise perfect condition - CHAPTER I -- Introduction -- There are lots of divisions among Plato scholars, but two of the biggest are these. -- Some think that Plato s dialogues proceed from a single view throughout: that there is no question of a development in Plato's thought. Their opposite numbers think that there is development to be seen in the dialogues. The first view is sometimes referred to as "unitarian," and the second could be labeled ''developmental." -- Then again, some scholars see in the dialogues dramatic creations, and so the technique they favor in understanding them is literary analysis. Their opposite numbers see in the dialogues a lot of abstract argumentation, and so their favored technique is that of logical analysis. The first of these two approaches we may call "literary," and the second "analytic." -- This latter opposition would be unreal if either position were understood as exclusive of the other: obviously the dialogues contain both drama and argument. The question of which approach to take is, then, one of emphasis. But there are extremes, and the extremes are in opposition. -- This book is a defense of a developmental view with an analytic emphasis. -- It is confined to the dialogues commonly regarded as early plus the Phaedo and Symposium, and to what in those latter dialogues pertains to a certain metaphysical theory, commonly referred to as the "Theory of Forms." ISBN 9780521838016 Sprache: Englisch Gewicht in Gramm: 734 15,2 x 2,4 x 22,9 cm, Originalhardcover. Seller Inventory # 1185840
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Hardcover. Condition: new. Hardcover. Scholars of Plato are divided between those who emphasize the literature of the dialogues and those who emphasize the argument of the dialogues, and between those who see a development in the thought of the dialogues and those who do not. In this important book, Russell Dancy focusses on the arguments and defends a developmental picture. He explains the Theory of Forms of the Phaedo and Symposium as an outgrowth of the quest for definitions canvassed in the Socratic dialogues, by constructing a Theory of Definition for the Socratic dialogues based on the refutations of definitions in those dialogues, and showing how that theory is mirrored in the Theory of Forms. His discussion, notable for both its clarity and its meticulous scholarship, ranges in detail over a number of Plato's early and middle dialogues, and will be of interest to readers in Plato studies and in ancient philosophy more generally. In this important book Russell Dancy focuses on the arguments of Plato's early and middle dialogues and defends a developmental picture of them. His discussion will be of interest to readers in Plato studies and in ancient philosophy more generally. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780521838016
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