Best remembered for such light-hearted works as Il barbiere di Siviglia, Gioachino Rossini produced a sequence of large-scale serious French operas after his move to Paris in 1824 which overwhelmed audiences with their musical power, and responded to the French Restoration. Rather than presenting a traditional account of Rossini's life and works, Benjamin Walton traces instead the shifting patterns of Rossinian criticism from before the composer's arrival in Paris to the end of the 1820s, outlining a type of musical history that uses immersion in a narrow time period as a way to reconceive the relationships between opera and the wider currents of life outside the opera house. In place of the comic Rossini of later memory, this book argues for a composer whose music resonated with the experience of contemporary life, and was integrally bound up in the struggle to define French romanticism at the time.
"synopsis" may belong to another edition of this title.
Best known for light-hearted works such as Il barbiere di Siviglia, Gioachino Rossini produced a sequence of large-scale serious works after moving to Paris in 1924. In place of the comic Rossini of later memory, this book portrays a composer whose powerful music resonated with the experience of contemporary life.
Benjamin Walton is University Lecturer in Music at the University of Cambridge, and is a Fellow of Jesus College.
"About this title" may belong to another edition of this title.
Seller: Shiny Owl Books, Gloucester, NSW, Australia
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Hardcover. Condition: new. Hardcover. Best remembered for such light-hearted works as Il barbiere di Siviglia, Gioachino Rossini produced a sequence of large-scale serious French operas after his move to Paris in 1824 which overwhelmed audiences with their musical power, and responded to the French Restoration. Rather than presenting a traditional account of Rossini's life and works, Benjamin Walton traces instead the shifting patterns of Rossinian criticism from before the composer's arrival in Paris to the end of the 1820s, outlining a type of musical history that uses immersion in a narrow time period as a way to reconceive the relationships between opera and the wider currents of life outside the opera house. In place of the comic Rossini of later memory, this book argues for a composer whose music resonated with the experience of contemporary life, and was integrally bound up in the struggle to define French romanticism at the time. Best known for light-hearted works such as Il barbiere di Siviglia, Gioachino Rossini produced a sequence of large-scale serious works after moving to Paris in 1924. In place of the comic Rossini of later memory, this book portrays a composer whose powerful music resonated with the experience of contemporary life. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780521870603
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Condition: New. A study of the hugely successful operas of Gioachino Rossini in 1820s Paris. Series: Cambridge Studies in Opera. Num Pages: 366 pages, 4 b/w illus. 24 music examples. BIC Classification: AVGC9. Category: (P) Professional & Vocational. Dimension: 228 x 152 x 24. Weight in Grams: 710. . 2007. Illustrated. hardcover. . . . . Seller Inventory # V9780521870603
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Hardcover. Condition: new. Hardcover. Best remembered for such light-hearted works as Il barbiere di Siviglia, Gioachino Rossini produced a sequence of large-scale serious French operas after his move to Paris in 1824 which overwhelmed audiences with their musical power, and responded to the French Restoration. Rather than presenting a traditional account of Rossini's life and works, Benjamin Walton traces instead the shifting patterns of Rossinian criticism from before the composer's arrival in Paris to the end of the 1820s, outlining a type of musical history that uses immersion in a narrow time period as a way to reconceive the relationships between opera and the wider currents of life outside the opera house. In place of the comic Rossini of later memory, this book argues for a composer whose music resonated with the experience of contemporary life, and was integrally bound up in the struggle to define French romanticism at the time. Best remembered today for such light-hearted works as Il barbiere di Siviglia, Gioachino Rossini produced a sequence of large-scale serious French operas after his move to Paris in 1824 which overwhelmed audiences with their musical power, and responded to the French Restoration. Rather than presenting a traditional account of Rossini's life and works, Benjamin Walton traces instead the shifting patterns of Rossinian criticism from before the composer's arrival in Paris to the end of the 1820s, outlining a type of musical history that uses immersion in a narrow time period as a way to reconceive the relationships between opera and the wider currents of life outside the opera house. In place of the comic Rossini of later memory, this book argues for a composer whose music resonated with the experience of contemporary life, and was integrally bound up in the struggle to define French romanticism at the time. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Seller Inventory # 9780521870603
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Gebunden. Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Best known for light-hearted works such as Il barbiere di Siviglia, Gioachino Rossini produced a sequence of large-scale serious works after moving to Paris in 1924. In place of the comic Rossini of later memory, this book portrays a composer whose powerful. Seller Inventory # 446951501
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