Shakespeare’s four greatest tragedies were written in a remarkably short period of time, between 1597 and 1606. Hamlet, Othello, Romeo and Juliet, and King Lear are each so singular an achievement that any rereading of them reinforces the awe and almost idolatrous worship that this most uncanny of the world’s great writers invariably inspires. In these four plays, Shakespeare engages the problem that is central to tragedy and crucial to any human community—the problem of violence and revenge—on an unprecedented scale. No other literary texts have been more instrumental in deepening our knowledge of ourselves as individuals and as a civilization.
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An appealing collection of the great tragedies of Shakespeare, these plays express the full force of his dramatic and psychological insight, exploring the fatal flaws that lead to the fall of the mighty from good fortune. The hesitant vengefulness of Hamlet; the vain selfishness of Lear; the irrational jealousy of Othello; the cunning destructiveness of Iago; the romantic impulsiveness of Romeo; the murderous ambition of Lady Macbeth--all of these characters are burned into the collective psyche of world culture.
Just why the history of Rome was so important to the Elizabethans, and how and to what ends Shakespeare imaginatively deployed that history, will be made a little clearer in the course of this introduction.
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