Here William Goldman’s beloved story of Buttercup, Westley, and their fellow adventurers finally receives a beautiful illustrated treatment.
A tale of true love and high adventure, pirates, princesses, giants, miracles, fencing, and a frightening assortment of wild beasts—The Princess Bride is a modern storytelling classic.
As Florin and Guilder teeter on the verge of war, the reluctant Princess Buttercup is devastated by the loss of her true love, kidnapped by a mercenary and his henchman, rescued by a pirate, forced to marry Prince Humperdinck, and rescued once again by the very crew who absconded with her in the first place. In the course of this dazzling adventure, she'll meet Vizzini—the criminal philosopher who'll do anything for a bag of gold; Fezzik—the gentle giant; Inigo—the Spaniard whose steel thirsts for revenge; and Count Rugen—the evil mastermind behind it all. Foiling all their plans and jumping into their stories is Westley, Princess Buttercup’s one true love and a very good friend of a very dangerous pirate.
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The Princess Bride is a true fantasy classic. William Goldman describes it as a "good parts version" of "S. Morgenstern's Classic Tale of True Love and High Adventure." Morgenstern's original was filled with details of Florinese history, court etiquette, and Mrs. Morgenstern's mostly complimentary views of the text. Much admired by academics, the "Classic Tale" nonetheless obscured what Mr. Goldman feels is a story that has everything: "Fencing. Fighting. Torture. Poison. True love. Hate. Revenge. Giants. Hunters. Bad men. Good men. Beautifulest ladies. Snakes. Spiders. Beasts of all natures and descriptions. Pain. Death. Brave men. Coward men. Strongest men. Chases. Escapes. Lies. Truths. Passion. Miracles."
Goldman frames the fairy tale with an "autobiographical" story: his father, who came from Florin, abridged the book as he read it to his son. Now, Goldman is publishing an abridged version, interspersed with comments on the parts he cut out.
Is The Princess Bride a critique of classics like Ivanhoe and The Three Musketeers, that smother a ripping yarn under elaborate prose? A wry look at the differences between fairy tales and real life? Simply a funny, frenetic adventure? No matter how you read it, you'll put it on your "keeper" shelf. --Nona Vero
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978-0-15-603515-6
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