Gabriel Noone is a writer whose late night radio stories have brought him into the homes of millions. Noone is in the midst of a painful separation from his lover of ten years when a publisher sends him proofs of a remarkable book: the memoir of a sickly thirteen-year-old boy who suffered horrific sexual abuse at the hands of his parents.
Now living with his adoptive mother, Donna, Pete Lomax is not only a brave and gifted diarist but a devoted listener of Noone's show. When Noone phones the boy to offer encouragement, it soon becomes clear that Pete sees in this heartsick, middle-aged storyteller the loving father he's always wanted. Thus begins an extraordinary friendship that grows deeper only as the boy's health deteriorates, freeing Noone to unlock his innermost feelings.
Then, out of the blue, troubling new questions arise, exploding Noone's comfortable assumptions and causing his ordered existence to spin wildly out of control. As he walks a vertiginous line between truth and illusion, he is finally forced to confront all his relationships - familial, romantic and erotic.
As complex and hypnotically engrossing as the best of mysteries, The Night Listener is an astonishing tour de force that moves and challenges Maupin's readers as never before.
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Many years ago, when the first volume of Tales of the City was going to press, Christopher Isherwood compared its author's narrative gifts to those of Charles Dickens. This has proven to be the blurb of a lifetime, an ever-renewable currency appearing on almost all of Armistead Maupin's subsequent books. Yet it has held up well--Dickens's gentle satire and broad good humor live on in Maupin more than in any other English-speaking writer. The Night Listener is his most ambitious work to date. While not strictly autobiographical, the story does teasingly suggest correspondences to the author's own life in a way that will delight and frustrate his many fans. The main character, Gabriel Noone, is a professional storyteller who broadcasts roughly autobiographical sketches for a long-running PBS series, "Noone at Night," stories about people "caught in the supreme joke of modern life who were forced to survive by making families of their friends." When the novel opens, Gabriel is still reeling from the announcement that his much younger, longtime partner Jess (a.k.a. Jamie in the "Noone at Night" stories, and a.k.a. Terry Anderson, Maupin's real-life, much-younger partner, for those who like to track associations) wants to move into his own apartment and start dating other men. With the success of his HIV cocktail, Jess has exceeded his own life expectancy. Having prepared himself so well to die, he now needs to learn how to live again. To Gabriel's distress, Jess's new life involves leather, multiple piercings, and books on men's drumming circles.
When an editor sends Gabriel yet another book to blurb, he reluctantly opens the package to find a long, rending memoir by Pete Lomax, an HIV-positive 13-year-old survivor of incest, rape, and sexual slavery. The book is called The Blacking Factory, after the miserable London bottling factory where Dickens spent part of his poverty-stricken childhood. As Gabriel reflects:
Pete thinks we all have a blacking factory, some awful moment, early on, when we surrender our childish hearts as surely as we lose our baby teeth. And the outcome can't be called. Some of us end up like Dickens; others like Jeffrey Dahmer. It's not a question of good or evil, Pete believes. Just the random brutality of the universe and our native ability to withstand it.After Pete escaped from his parents and was adopted by a therapist named Donna Lomax, his slow recovery was helped along by his memoir-writing and by frequent doses of "Noone at Night."
Touched by Pete's devotion to his stories, as well as the boy's obvious need for a father figure, Gabriel finds himself drawn into an intense relationship with his young fan, involving long, late-night phone calls that begin to worry Gabriel's friends. And, other than their mutual need, how much does he really know about Pete, anyway? As Gabriel begins to question his own motives, as well as those of the boy, The Night Listener transforms itself from an absorbing but quotidian story of loss and midlife angst into a dark and suspenseful page-turner with a playful metaphysical aspect and an un-Dickensian sexual candor. --Regina Marler
Armistead Maupin is the author of the nine-volume Tales of the City series, which includes Tales of the City, More Tales of the City, Further Tales of the City, Babycakes, Significant Others, Sure of You, Michael Tolliver Lives, Mary Ann in Autumn, and now The Days of Anna Madrigal. Maupin's other novels include Maybe the Moon and The Night Listener. Maupin was the 2012 recipient of the Lambda Literary Foundation's Pioneer Award. He lives in San Francisco with his husband, the photographer Christopher Turner.
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