From the best-selling author of Rubyfruit Jungle and Bingo, here is a writers' manual as provocative, frank, and funny as her fiction. Unlike most writers' guides, this one had as much to do with how writers live as with mastering the tools of their trade. Rita Mae Brown begins with a very personal account of her own career, from her days as a young poet who had written a novel no publisher wanted to take a chance on, right up to her recent adventures as a Hollywood screenwriter. In a sassy style that makes her outspoken advice as entertaining as it is useful, she provides straight talk about paying the rent while maintaining the energy to write; and dealing with agents, publishers, critics, and the publicity circus; about pursuingj ournalisim, academia, or screen-writing; and about rejecting the Hemingway myth of the hard-living, hard-drinking genius. In addition Brown, a former teacher or writing, offers a serious examination of the writer's tool--language, plotting, characters, symbolism--plus exercises to sharpen the ear for dialogue, and a fascinating, annoted reading list of important works from the seventh century to the late twentieth.
From the Trade Paperback edition.
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Rita Mae Brown is the bestselling author of the Sneaky Pie Brown series; the Sister Jane series; A Nose for Justice and Murder Unleashed; Rubyfruit Jungle; In Her Day; and Six of One, as well as several other novels. An Emmy-nominated screenwriter and a poet, Brown lives in Afton, Virginia.
The author of Rubyfruit Jungle and other novels, film and TV scripter, Brown here gives nonwriters and writers alike a book to enjoy quite apart from its instructional value. The tone is stern but empathetic, spiced by the author's sassy wit and full of information on the writer's craft. Starting from scratch, Brown focuses on the wonders of the English language, enriched by other tongues, and the need to understand how to use words in their great variety: "I'll be brutally frank. If you don't know Latin, you don't know English." In later sections she covers the roles of editor, publisher and film professionals, the pros and cons of each medium, of computers, etc. as applied to writers. Candidly describing her own experiences, Brown makes us realize that writers are uncontrollably driven to write, "even though the pay is ridiculous."
Copyright 1987 Reed Business Information, Inc.
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