Considered a masterpiece since its first appearance on stage in 1904, Peter Pan is J. M. Barrie’s most famous work and arguably the greatest of all children’s stories. While it is a wonderful fantasy for the young, Peter Pan, particularly in the novel form Barrie published in 1911, says something important to all of us. Here “the boy who wouldn’t grow up” and his adventures with Wendy and the lost boys in the Neverland evoke a deep emotional response as they give form to our feelings about parents, boys and girls, the unknown, freedom, and responsibility. Humorous, satiric, filled with suspenseful cliff-hangers and bittersweet truths, Peter Pan works an indisputable magic on readers of all ages, making it a true classic of imaginative literature.
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"All children, except one, grow up." Thus begins a great classic of children's literature that we all remember as magical. What we tend to forget, because the tale of Peter Pan and Neverland has been so relentlessly boiled down, hashed up, and coated in saccharine, is that J.M. Barrie's original version is also witty, sophisticated, and delightfully odd. The Darling children, Wendy, John, and Michael, live a very proper middle-class life in Edwardian London, but they also happen to have a Newfoundland for a nurse. The text is full of such throwaway gems as "Mrs. Darling first heard of Peter Pan when she was tidying up her children's minds," and is peppered with deliberately obscure vocabulary including "embonpoint," "quietus," and "pluperfect." Lest we forget, it was written in 1904, a relatively innocent age in which a plot about abducted children must have seemed more safely fanciful. Also, perhaps, it was an age that expected more of its children's books, for Peter Pan has a suppleness, lightness, and intelligence that are "literary" in the best sense. In a typical exchange with the dastardly Captain Hook, Peter Pan describes himself as "youth... joy... a little bird that has broken out of the egg," and the author interjects: "This, of course, was nonsense; but it was proof to the unhappy Hook that Peter did not know in the least who or what he was, which is the very pinnacle of good form." A book for adult readers-aloud to revel in--and it just might teach young listeners to fly. (Ages 5 and older) --Richard Farr
An upscale classic edition, with the full text and illustrations from the internationally acclaimed Silke Leffler.
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