The Hebrew Bible is religious literature, the fundamental interest of which lies in the relations between humankind, especially the people of Israel, and God. The Song of Songs, on the other hand, is interested in the relations between men and women. In this volume Yair Zakovitch examines the presence of the Song of Songs in the Hebrew Bible, and questions how this enigmatic collection of poetic writings came to be within the Bible.
Zakovitch poses and addresses a range of enticing questions in the eight chapters of this volume, including: what does this erotic poetry have to do with Israel's formative texts? What do the poems tell us about gender relations in those years, and about early Israel's attitudes towards beauty, love, women, and sex? Do we finally get to hear women's voices in the Song, where the rest of the Bible gives a male perspective? How, despite our astonishment, is the Song of Songs nonetheless intrinsically biblical? What does it have in common with the Bible's other books? Was the allegorical interpretation of the Song just an excuse in order to include the book in Scripture?
"synopsis" may belong to another edition of this title.
Yair Zakovitch is the Emeritus Father Takeji Otsuki Professor of Bible at the Hebrew University of Jerusalem, Israel.
Laura Quick is Assistant Professor of Religion and Judaic Studies at Princeton University, USA.
Jacqueline Vayntrub is Assistant Professor of Hebrew Bible at Yale University, USA
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Paperback. Condition: new. Paperback. The Hebrew Bible is religious literature, the fundamental interest of which lies in the relations between humankind, especially the people of Israel, and God. The Song of Songs, on the other hand, is interested in the relations between men and women. In this volume Yair Zakovitch examines the presence of the Song of Songs in the Hebrew Bible, and questions how this enigmatic collection of poetic writings came to be within the Bible.Zakovitch poses and addresses a range of enticing questions in the eight chapters of this volume, including: what does this erotic poetry have to do with Israels formative texts? What do the poems tell us about gender relations in those years, and about early Israels attitudes towards beauty, love, women, and sex? Do we finally get to hear womens voices in the Song, where the rest of the Bible gives a male perspective? How, despite our astonishment, is the Song of Songs nonetheless intrinsically biblical? What does it have in common with the Bibles other books? Was the allegorical interpretation of the Song just an excuse in order to include the book in Scripture? This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780567693969
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Paperback. Condition: New. The Hebrew Bible is religious literature, the fundamental interest of which lies in the relations between humankind, especially the people of Israel, and God. The Song of Songs, on the other hand, is interested in the relations between men and women. In this volume Yair Zakovitch examines the presence of the Song of Songs in the Hebrew Bible, and questions how this enigmatic collection of poetic writings came to be within the Bible.Zakovitch poses and addresses a range of enticing questions in the eight chapters of this volume, including: what does this erotic poetry have to do with Israel's formative texts? What do the poems tell us about gender relations in those years, and about early Israel's attitudes towards beauty, love, women, and sex? Do we finally get to hear women's voices in the Song, where the rest of the Bible gives a male perspective? How, despite our astonishment, is the Song of Songs nonetheless intrinsically biblical? What does it have in common with the Bible's other books? Was the allegorical interpretation of the Song just an excuse in order to include the book in Scripture? Seller Inventory # LU-9780567693969
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Paperback. Condition: new. Paperback. The Hebrew Bible is religious literature, the fundamental interest of which lies in the relations between humankind, especially the people of Israel, and God. The Song of Songs, on the other hand, is interested in the relations between men and women. In this volume Yair Zakovitch examines the presence of the Song of Songs in the Hebrew Bible, and questions how this enigmatic collection of poetic writings came to be within the Bible.Zakovitch poses and addresses a range of enticing questions in the eight chapters of this volume, including: what does this erotic poetry have to do with Israels formative texts? What do the poems tell us about gender relations in those years, and about early Israels attitudes towards beauty, love, women, and sex? Do we finally get to hear womens voices in the Song, where the rest of the Bible gives a male perspective? How, despite our astonishment, is the Song of Songs nonetheless intrinsically biblical? What does it have in common with the Bibles other books? Was the allegorical interpretation of the Song just an excuse in order to include the book in Scripture? This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Seller Inventory # 9780567693969
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Paperback. Condition: New. The Hebrew Bible is religious literature, the fundamental interest of which lies in the relations between humankind, especially the people of Israel, and God. The Song of Songs, on the other hand, is interested in the relations between men and women. In this volume Yair Zakovitch examines the presence of the Song of Songs in the Hebrew Bible, and questions how this enigmatic collection of poetic writings came to be within the Bible.Zakovitch poses and addresses a range of enticing questions in the eight chapters of this volume, including: what does this erotic poetry have to do with Israel's formative texts? What do the poems tell us about gender relations in those years, and about early Israel's attitudes towards beauty, love, women, and sex? Do we finally get to hear women's voices in the Song, where the rest of the Bible gives a male perspective? How, despite our astonishment, is the Song of Songs nonetheless intrinsically biblical? What does it have in common with the Bible's other books? Was the allegorical interpretation of the Song just an excuse in order to include the book in Scripture? Seller Inventory # LU-9780567693969
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