This book has soft covers.Ex-library,With usual stamps and markings,In fair condition, suitable as a study copy.
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Thomas Stearns Eliot was born in St Louis, Missouri in 1888. He was educated at Harvard, at the Sorbonne in Paris, and at Merton College, Oxford. His early poetry was profoundly influenced by the French symbolists, especially Baudelaire and Laforgue. In his academic studies he specialised in philosophy and logic. His doctoral thesis was on F. H. Bradley. He settled in England in 1915, the year in which he married Vivienne Haigh-Wood and also met his contemporary Ezra Pound for the first time. After teaching for a year or so he joined Lloyds Bank in the City of London in 1917, the year in which he published his first volume, Prufrock and Other Observations. In 1919 Poems was hand-printed by Leonard and Virginia Woolf. His first collection of essays, The Sacred Wood, appeared in 1920. His most famous work, The Waste Land, was published in 1922, the same year as James Joyce's Ulysses. The poem was included in the first issue of his journal The Criterion, which he founded and edited.
This re-release of the 1953 recording of Eliot's poetic drama is a real treasure. Robert Donat plays the pious Archbishop Thomas Becket as he struggles with his instinctive knowledge that King Henry II's loose tongue will make Thomas a martyr. Donat's Thomas is sensitive and resigned, without being annoyingly sanctimonious. Also of note are the excellent performances of Thomas's tempters and of the Chorus. A knowledge of the history is essential to understanding the story as Eliot's playwriting is a bit demanding for the casual listener. Unfortunately, the liner notes don't explain quite enough to satisfy the curiosity of a listener who last read about Thomas Becket in a religious studies course. This should not, however, detract from enjoying the smooth, clean production and performance. A.H.A. [Not available in the U.S.] © AudioFile 2010, Portland, Maine
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