First edition. An excellent biography which throws new light on the life of this great artist and craftsman. MacCarthy had access to Gill's unpublished diaries which were partly written in code and provide an interesting, sometimes shocking insight into his everyday life. A recent review in THE NEW YORK TIMES concluded "Few men have been better served by a biographer." Ink remainder mark on bottom of book block. Private ownership ink inscription on front free endpaper. xiii, 338 pages. cloth, dust jacket.. thick 8vo..
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A well-known broadcaster and critic, Fiona MacCarthy established herself as one of the leading writers of biography in Britain with her widely acclaimed book Eric Gill, published in 1989. Her biography of Byron was described by A. N. Wilson as 'a flawless triumph' and William Morris won the Wolfson History Prize and the Writers' Guild Non-Fiction Award. She most recently published Last Curtsey, a memoir of her early life as a debutante. Fiona is a Senior Fellow of the Royal College of Art, a Fellow of the Royal Society of Literature and an Hon. Fellow of Lady Margaret Hall, Oxford. She was awarded the OBE for services to literature in 2009.
An English artist-craftsman in the tradition of William Morris, Eric Gill (1882-1940) exemplifies the search for a lifestyle to heal the split between work and leisure, art and industry. He is remembered today for his fine engravings and stone carvings, his legendary typefaces and book designs for the Golden Cockerel Press. Yet there was another side to the man, downplayed by previous biographers: a fervent convert to Catholicism and leader of three Catholic arts-and-crafts communes, Gill had a hyperactive libido which extended to incest with his sisters and daughters, as well as numerous extramarital affairs, according to British writer MacCarthy. He rationalized his penile acrobatics by inventing a bizarre pseudoreligious theory. In MacCarthy's candid portrait, Gill, who preserved the outward image of a devout father-figure, was neither saint nor humbug, but a highly sexed creative artist trapped by his Victorian concept of masculinity. This charismatic firebrand was a renegade Fabian socialist, a bohemian friend of Augustus John and Bertrand Russell. His adventurous life, as re-created in this beautifully written, absorbing biography, is disturbingly relevant to our time. Photos.
Copyright 1989 Reed Business Information, Inc.
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Paperback. Condition: Very Good. Eric Gill was a typographer and lettercutter whose typefaces still feature in our lives, especially his Perpetua and Gill Sans. He was also a sculptor and wood-engraver. He was a key personality in three Catholic art and craft communities at Ditchling, Capel-y-ffin and Pigotts. He was a devoted family man but, at the same time, he was fickle and quarrelsome and a believer in complete sexual freedom. He had a succession of mistresses and affairs. In this biography the author analyzes these apparent contradictions. Fiona MacCarthy directed the Omega Workshops Exhibition at the Crafts Council in 1984, and in 1987 "Eye for Industry" at the Victoria and Albert Museum. She wrote "A History of British Design", "British Design Since 1880" and "Simple Life". She was awarded the Royal Society of Arts Bicentenary Medal for 1987. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Seller Inventory # GOR002032157
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