Heaney here scrutinizes the work of several poets, British and Irish, American and European, whose work he considers might call into question the rights of poetic utterance. The author asks whether the voice of the poet should be governed, or whether it should be the governor.
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Seamus Heaney was born in County Derry in Northern Ireland. Death of a Naturalist, his first collection of poems, appeared in 1966, and was followed by poetry, criticism and translations which established him as the leading poet of his generation. In 1995 he was awarded the Nobel Prize in Literature, and twice won the Whitbread Book of the Year, for The Spirit Level (1996) and Beowulf (1999). Stepping Stones, a book of interviews conducted by Dennis O'Driscoll, appeared in 2008; Human Chain, his last volume of poems, was awarded the 2010 Forward Prize for Best Collection. He died in 2013. His translation of Virgil's Aeneid Book VI was published posthumously in 2016 to critical acclaim.
"The 20th century saw the emergence of the poet as witnessvoicing solidarity with the doomed, the victimized, the dispossessed. Irish poet Heaney here gauges this trend in essays on Wilfred Owen, Osip Mandelstam, Zbigniew Herbert. He admits that the power of the poem to change the world is almost nil. Then, turning to T. S. Eliot's 'The Waste Land', he affirms the healing value of poetry as its own vindicating force, restoring us to our true selves. Interrelated essays investigate the ways in which W. H. Auden, Robert Lowell and Sylvia Plath each became an 'antenna, ' getting beyond the ego to voice the spiritual yearnings and anxieties of our time. Heaney has a fine ear for Derek Walcott's lush Caribbean verse, which he calls 'a common resource, ' and for 'the wire-sculpture economy' of Miroslaw Holub's games of knowledge. Beautifully written, these essays and reviews reconfirm poets as unacknowledged legislators of the world."-"Publishers Weekly "
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