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Mona-simpson The Lost Father ISBN 13: 9780571161492

The Lost Father - Hardcover

 
9780571161492: The Lost Father
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In her highly acclaimed first novel, Anywhere But Here, Simpson created one of the most astute yet vulnerable heroines in contemporary fiction. Now Mayan Atassi--once Mayan Stevenson--returns in an immensely powerful novel about love and lovelessness, fathers and fatherlessness, and the loyalties that shape us even when they threaten to destroy us.

Now a woman of twenty-eight and finally on her own in medical school, Mayan becomes obsessed with the father she never knew, leading her to hire detectives to dredge up the past, thus eroding her savings, ruining her career, and flirting with madness in a search spanning two continents.

"Ratifies the achievement of Anywhere But Here, attesting to its author's...dazzling literary gift and uncommon emotional wisdom."
--New York Times

"A breathtaking piece of fiction; Simpson is a writer who can break our heart and mend it in the same sentence."
--Cleveland Plain Dealer
From the Trade Paperback edition.

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About the Author:
Mona Simpson is the author of Casebook, Anywhere But Here, The Lost Father, A Regular Guy, Off Keck Road, and My HollywoodOff Keck Road won the Heartland Prize from the Chicago Tribune and was a finalist for the PEN/Faulkner Award. She has received a Whiting Writers’ Award, a Guggenheim grant, a Lila Wallace–Reader's Digest Writers’ Award, and, recently, a Literature Award from the American Academy of Arts and Letters. Simpson is on the faculty at UCLA and also teaches at Bard College.
Excerpt. © Reprinted by permission. All rights reserved.:
1

I lived in a small, low-ceilinged apartment beneath an old man. He was cane walking, stooped and Chinese. In the elevator he stood just to my eyebrows. He seemed to be completely alone. I weighed those factors at midnight, again, as I sat by the spray of lamplight over my textbook, while the vague, indoor noises of his television fell down through my ceiling. Outside my one window, another brick building rose, like a piece of dark paper.

I was twenty-seven and in medical school. The only reason I was in the East was to read these pages. I scratched out a note to the man above. "Dear Sir, Could you please turn down your television?" I balled it up. I had no garbage can. That was another thing. To Do.

And so I went to bed. I loved sleep. I was new in New York City, new in medical school, sleep was my voluptuous sanctuary. I slept in linen closets, on cots, floors, in waiting rooms on foam-covered chairs. I slept, and could sleep, anywhere. Under a sheet, my limbs would move in the thick pleasure of being unseen. I could sleep most times, especially if I had something warm. I dressed in layers of cotton and would leave some piece, a sweatshirt or a T-shirt, on top of a radiator. Then I took the warm thing and hugged it in my arms by my face and before the heat drained out of it I was fast asleep. I did that in boys' apartments to help assuage the strangeness. I always woke up first, in the morning. I hated mornings there. They seemed so ordinary and industrial, machinery of the material world gearing up in hitches noisy outside. This life was approximate, I knew, standing at the window, whether or not there were any others.

I wanted to be a country doctor. I knew what I wanted my office to look like. It would be a room at the end of an orchard, with wooden bureaus and shelves, magnifying glasses, bird skeletons, nests, butterflies behind glass, a live parrot in a cage, an examining table with a clean roll of white paper. I would treat whole families, the migrant cherry pickers, Gypsies who came to the Wisconsin peninsula every year, and I would keep their histories in an even penmanship in lined notebooks. There would be a small laboratory at the back. I was specializing in internal medicine, but I did not want to get too far away from home. Most people in the world suffered common, eternal diseases.

I'd picked New York because I had a vision of myself wearing white bucks and a pink cable-knit sweater, holding the silver subway pole.

I lived there, but I never had a strong sense of place. I was always standing at a window, looking at the buildings and a small portion of the sky. Even when I walked in the park by the river, the trees never seemed beholden to that place. They were trees that could have been anywhere, just trees. I'd come to get my training. I wanted to use the place, not the other way around, and I approached with a kind of wariness.

My first day of college chemistry, a Nobel Prize winner who'd discovered an element, now colored on the periodic table, said into the microphone, "Look to your left and look to your right. Because two of you won't get in." He didn't even have to say get in what. We knew. That was Brown. The tall, off-handed man wasn't even a doctor. He was a scientist. The distinction hardly mattered to me then. I found my pencil in my mouth. Two others waited, sharpened, in a clear case. I had a good seat, because I'd come twenty minutes early, but for those in back, video monitors on the ceilings played the lecture. And that was the last joke he told all semester, if you can call it a joke.

One out of three wasn't bad odds. Four kids from West Racine's two-hundred-and-eighty-nine-person class went to college. Any college. And they were teachers' children. I came from a high school in California where all the mothers cared about was colleges and straight teeth. Pencils grated around me. Brown seemed full of valedictorians.

But that time I didn't last in the East. I transferred, the next year, to Wisconsin, after my grandmother's third stroke. Then, only once, she came to visit me in my dormitory room in Madison. I'd encouraged the trip. I thought she would be proud of me, on campus, and that she would enjoy the idea of a scholarly life. And she would have, but she was just too old. I saw when she stepped off the bus. She held the metal bar with two hands and her feet went off parallel, stiff coming down. She pointed to a green tin box on the curb. When my mother had tried college, she'd sent her sorority clothes home to be laundered every other week and my grandmother had sent them back in this same box, all washed and pressed. Now she wanted to do the same for me. We walked a little through campus and she nodded solemnly with a downward frown. She gripped my arm too hard and I felt glad and relieved to get her into the dormitory. I had a good room and my roommate was gone for the weekend. At the hall kitchenette, I made my grandmother the Sanka that she liked. I'd bought powdered Cremora so it would be just like at home. When I walked back balancing the cup, I found she'd lowered herself to her knees. She had her hands on the top of the bed for balance. My mattress lay on an eighteen-inch platform that somebody's boyfriend had built.

"You know what I'd do," my grandmother whispered, the skin around her mouth gathering, "I'd get a saw and two such hinges" she spanned her thumb and first finger to show me the size-"and build a door in here." Her hand traced on the wood of the platform. "Then, if you hear anything trying to get in, you just crawl under and shut the door. They'll never even know you're here."

She worried about the window. My roommate, Emily, and I lived in two rooms. The front one had a nice window with a tree outside. Other windows in the building had security bars but I didn't want them because of the tree. I'd pushed my desk there and I scattered birdseed on the wood to lure birds: bluejays, robins and once a cardinal, skitting the meal over my papers as I worked.

I borrowed a car and drove my grandmother home. By the time we turned onto the old small roads outside Racine, she began to forget me. She could still take care of herself, alone in the house, but that was all. She was glad enough to let me go. At home, I undressed her and she went right to sleep, on her back, her nose the highest place on her.

Living in New York, in the apartment with one window and the man who watched TV upstairs, I had no tree. I turned the light on first thing in the morning. But the brick wall outside, the hot plate on the floor in the closet, even the ticking pattern of cockroaches, made me know what I was there for. I felt a weakness in my neck. The book lay open to page 485. I stayed up later than I could, marking with yellow highlights, slowly and more slowly turning the pages. Getting in turned out to be the least of it.

I had nine thousand dollars in the bank. My inheritance. The money represented a third of the proceeds from a gasoline station my grandmother had owned. For twenty-four years after her husband died, my grandmother had dutifully driven out to the Mohawk Gasoline Station every month to collect the rent. I had often gone along and waited in the car. When we drove up slowly, the car coasting into a slot by the high red and white pumps, the manager would run out, fill up our tank and hand my grandmother an envelope. Sometimes he had a bottle of chocolate milk for me and a straw. She always paid him for the gasoline and she tried to pay him for the milk, too. My cousins and I often collected gifts we didn't deserve because we were the owner's children.

I kept the money in the Racine National Savings. and Loan Bank. I owned a small cardboard accordion file, where I slotted the dark green passbook under S, for security. I kept all my valuables in that file, my grandfather's watch and my mother's costume jewelry from her college years. I hadn't touched the money yet and I felt some satisfaction, knowing I had more than the numbers printed in blue, because there would be interest. Sometimes, I took the book out and just held it.

I'd managed major expenditures without touching that. It had been a question, when I moved, whether to come lightly and buy a futon in New York or to truck the family furniture, my desk and the old gray couch from the living room, the bed and green-and-white-striped bedspreads. If I didn't keep the stuff, nobody else would. I saved the money from my job after college at the Wildlife Sanctuary. The salary had been small but I had no expenses. After my grandmother's fourth stroke, my senior year, I'd moved back into the house on Guns Road.

It seemed an odd thing to do, moving half a houseful of furniture across the country, worrying over trucks, examining the arrived familiar things for nicks and scratches. That is the middle class: paying thousands of dollars trucking pieces of junk from one state to another. These were not antiques or anything. But I was from the West. I hadn't planned on my New York apartment being so small. I was embarrassed and I didn't want people to know I'd moved all these chairs here. There was something not young about me when I was young. I lived in an overfull room, hitting my hipbones on table corners.

Once when I was asleep, I heard a thump against my door just before it was light. The sky was streaked with gray and blue and a strange pale cream. I hadn't locked the door. I just forgot. That was another thing I couldn't get in the habit of doing right. I never locked doors. I reached down the side of my platform, touched the rough wood I'd shipped from Wisconsin. I thought of the hinged door. There was no hinged door. It was my own fault and now I waited on my back in bed. My mother had always been terrified and locked everything six times, even car doors. I hated that. I wanted to feel careless. I tried to be.

Later, the upstairs neighbor's water rushing thoroughly in the walls, I turned on the light and opened the door. A new phone book, the yellow pages, slumped...

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9780679733034: The Lost Father

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Book Description Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. 1st Printing. Signed. 506 pages. Published in 1992. The author's second novel. Now considered a contemporary classic. The first appearance of the title in the United Kingdom. Precedes and should not be confused with all other subsequent editions. Published in a small and limited first print run as a hardcover original only. The First British Edition is now scarce. Presents Mona Simpson's "The Lost Father". A dark sequel to her luminous debut novel, "Anywhere But Here". In her highly acclaimed first novel, Mona Simpson created one of the most astute yet vulnerable heroines in contemporary fiction, Mayan Atassi, formerly Mayan Stevenson. Simpson returns in a powerful novel about love and loveless-ness, fathers and fatherless-ness, and the loyalties that shape us even when they threaten to destroy us. "A breathtaking piece of fiction. Simpson is a writer who can break our heart and mend it in the same sentence" (The Cleveland Plain Dealer). While she has strenuously denied it, there is no question that both novels (and a third one) are autobiographical, that this fact is relevant to her fiction, and that "The Lost Father" mirrors the estranged relationship Mona Simpson has had with Abdulfattah John Jandali, the Syrian-born father who abandoned her and her mother. The latter and Simpson's mother, Joanne Carole Schieble, were graduate students when she became pregnant with their first child. Schieble's father threatened to disown her if she married a Syrian so she gave her son up for adoption. Her father died shortly thereafter, and the couple were finally able to marry. The son they gave up for adoption was Steve Jobs, the legendary founder of Apple. Mona Simpson and Steve Jobs, who are biological siblings, eventually found out about each other, and became close as adults, close enough for her to write "A Regular Guy" (1996), which is closely (according to some commentators) or loosely (according to others) based on the Steve Jobs she came to know very well. Prodigious talent was obviously in the siblings' genes. What is even more startling is how different their talents were, as if determined by yet another genetic factor: Gender. One was scientific/technological/masculine, the other, the exact opposite, artistic/literary/feminine. It is precisely this "wired" pre-determinism that a self-created writer like Simpson instinctively rejects even though genetics is an undeniable part of the truth about our lives. An absolute "must-have" title for Mona Simpson collectors. This copy is very prominently and beautifully signed in red fountain pen on the half-title page by Mona Simpson. It is signed directly on the page itself, not on a tipped-in page. Simpson's signature on this copy is one of the most beautiful we have ever seen: Clean, flowing, and elegant. This title is a contemporary classic. This is one of few such signed copies of the First Hardcover Edition/First Printing (British) still available online and is in especially fine condition: Clean, crisp, and bright. Please note: Copies available online have serious flaws, are subsequent printings, or are remainder-marked. This is surely an accessible and lovely alternative. A scarce signed copy thus. One of the finest American writers of our time. A fine copy. (SEE ALSO OTHER MONA SIMPSON TITLES IN OUR CATALOG) ISBN 0571161499. Signed by Author. Seller Inventory # 1218

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