Acting Up - Softcover

Hare, David

Softcover

ISBN 10: 0571201350 ISBN 13: 9780571201358

Publisher: Farrar, Straus and Giroux, 1999

Synopsis

After writing a monologue on the subject of Israel and Palestine, David Hare forced himself to make his debut on the professional stage at the age of fifty-one. When his success at London's austere Royal Court theatre led to an invitation to appear in New York at a somewhat flashier Broadway venue, Hare was transformed from a shadowy playwright into an actor alone on the stage every night for ninety minutes.

Hare's hilarious diary of his experience on both sides of the Atlantic tells of his difficulties in coming to terms with his frightening change of career, but also grapples with more serious questions about what the difference is between acting and performance, and whether anyone can learn to do either.

About this title

About the Author

David Hare was born in Sussex, England in 1947. His first play, Slag, was produced in 1970. His other works include Plenty (1978), A Map of the World (1983), and Pravda (1985). A founder of the Portable Theatre and the Joint Stock, he became resident dramatist and literary manager of the Royal Court Theatre, London (1967–71), and at the Nottingham Playhouse (1973). Until recently, Hare served as director of the National Theatre, London. In 1982, Hare founded a film company, Greenpoint Films. He has written several screenplays including Plenty (1985), Weatherby (1985), Strapless (1989), and Damage (1992). Several of his best-known plays, The Secret Rapture, Racing Demon, Skylight, The Judas Kiss, Via Dolorosa and Amy's View have been presented on Broadway.

From Publishers Weekly

On a factual level, this riveting theater diary documents the 10 months (August 1998 to June 1999) during which Hare rehearsed and performed Via Dolorosa, his one-man play describing a 1997 visit to Israel and the Gaza Strip. More deeply, it is the record of a distinguished playwright (Plenty; The Secret Rapture; etc.) discovering what it's like to be the actor who must incarnate a writer's words in the flesh for a live audience. Although it's clear that Hare, who began his theatrical career in the 1970s, is a staunch advocate of the politically charged drama of Brecht, Shaw and Sartre, this is not a book about the Middle East conflict (Hare's sympathies seem equally divided). Instead, it gives readers an intimate sense of what it's like to work in the theater, detailed with a commendable lack of airbrushing. Hare doesn't flinch at committing to paper his childish petulance over director Stephen Daldry's sometimes distracted demeanor; he's horribly cranky about coughing audience members; and he candidly depicts the narcissism any actor must cultivate simply to preserve enough energy to do eight shows a week. He also displays warm appreciation for Daldry's contributions to the play, great generosity toward fellow playwrights (particularly Wallace Shawn, a personal friend) and tender affection for actors like Judi Dench and Nicole Kidman, packing in audiences for his plays Amy's View and The Blue Room, while Hare played to initially tiny houses in London and New York. Hare's love for theater flows from every page, most notably in a thrillingly exact description of the magic of live performance: "The great wind of an audience blows through, and nothing is what you thought it was going to be." (Nov.)
Copyright 1999 Reed Business Information, Inc.

About this edition

• Publisher: Farrar, Straus and Giroux
• Publication date: 1999
• ISBN 10: 0571201350
• ISBN 13: 9780571201358
• Binding: Paperback
• Edition number: 1
• Number of pages: 288