An “entertaining, fly-on-the-wall”* look at everyone’s favorite Hollywood circus and what it reveals about the business of moviemaking
Love it or loathe it, the Oscars are an irresistible spectacle: a gloriously gaudy, glitzy, momentous, and foolish window into the unholy alliance of art and commerce that is the film industry. The Big Show is the only book ever to offer an unguarded, behind-the-scenes glimpse of this singular event, along with remarkable insight into how the Oscars reflect the high-stakes politics of Hollywood, our obsession with celebrities (not to mention celebrities’ obsession with themselves), and the cinematic state of the union.
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When it comes to the Academy Awards®, movie buffs usually have two settings: Oscar fever, and Oscar fatigue. Journalist Steve Pond's book, The Big Show: High Times and Dirty Dealings Backstage at the Academy Awards, is a triumph in that it manages to feed the former while keeping the latter at bay. Pond, a writer for Premiere magazine, was granted unfettered access to the creation and behind-the-curtain world of a decade's worth of Oscar ceremonies (years 1994 to 2004). Until some brilliant reality show producer manages to sneak a camera into the green room, this is as close to an all-access backstage pass as most of us are going to get.
So getting down to brass tacks: the gossip is sort of juicy, though not particularly surprising. Russell Crowe is kind of grumpy. Madonna, told of a last minute change to her musical number, shows that a good diva never takes bad news lying down. Hoop Dreams was robbed (seriously). And ironically, a ceremony that is considered Hollywood's premiere occasion for self-aggrandizement has also tripped up certain careers. (The Uma, Oprah fallout may still be haunting Letterman.) Most of all, The Big Show is a model of efficiency; it summarizes 10 ceremonies in the time it usually takes you to sit through one. --Leah Weathersby
Steve Pond has been writing about popular culture and the entertainment industry for over twenty-five years for publications including Premiere, the Los Angeles Times, Rolling Stone, and the Washington Post.
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