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Like A Rolling Stone: Bob Dylan at the Crossroads - Hardcover

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Synopsis

Greil Marcus saw Bob Dylan for the first time in a New Jersey field in 1963. He didn't know the name of the scruffy singer who had a bit part in a Joan Baez concert, but he knew his performance was unique. So began a dedicated and enduring relationship between America's finest critic of popular music— "simply peerless," in Nick Hornby's words, "not only as a rock writer but as a cultural historian"— and Bob Dylan. In Like A Rolling Stone Marcus locates Dylan's six-minute masterwork in its richest, fullest context, capturing the heady atmosphere of the recording studio in 1965 as musicians and technicians clustered around the mercurial genius from Minnesota, the young Bob Dylan at the height of his powers.

But Marcus shows how, far from being a song only of 1965, "Like a Rolling Stone" is rooted in faraway American places and times, drawing on timeless cultural impulses that make the song as challenging, disruptive, and restless today as it ever was, capable of reinvention by artists as disparate as the comedian Richard Belzer and the Italian hip-hop duo Articolo 31. "Like a Rolling Stone" never loses its essential quality, which is directly to challenge the listener: it remains a call to arms and a demand for a better world. Forty years later it is still revolutionary as will and idea, as an attack and an embrace. How Does it Feel? In this unique, burningly intense book, Marcus tells you, and much more besides.

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About the Author

Greil Marcus is the author of Mystery Train, Lipstick Traces, Dead Elvis, In the Fascist Bathroom, The Dustbin of History, The Old, Weird America and Double Trouble. He has written for numerous publications, among them the New York Times, Rolling Stone, Threepenny Review, Artforum, Esquire, the Los Angeles Times, Salon, and Granta. In 2000 and 2002 he taught at Berkeley and Princeton, and he currently lectures in the U.S. and Europe. He lives in Berkeley, California.

From Publishers Weekly

Marcus's engaging exegesis on the musical and cultural ramifications of Dylan's 1965 six-and-half-minute hit is not just a study of a popular song and a historic era, but an examination of the heroic status of the American visionary artist. Recorded when American popular music was "like a running election," Dylan's "music of transformations" induced a conflicted, confused America to look at its social disasters of racism, drug abuse and Vietnam, Marcus says, while simultaneously permitting it to strip away its illusions and hope for a better future. Ostensibly about a rich young socialite's fall from grace, the song's lyrics are open to many interpretations, which may have helped make it such a phenomenon. Marcus displays a comprehensive knowledge of American popular and political history, tracing the song's roots back to Robert Johnson and Hank Williams and spotting its influence on such disparate artists as Frank Zappa, the Village People and various contestants on American Idol. Part scholarly discourse and part beatnik rambling, the book is chockfull of lively metaphors and includes 20 pages of studio outtake banter. Marcus successfully convinces readers that (in the words of hit songwriter Gerry Goffin), "Dylan managed to do something that not one of us was able to do: put poetry in rock n' roll and just stand up there like a mensch and sing it."
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  • PublisherLondon : Faber and Faber
  • Publication date2005
  • ISBN 10 0571223850
  • ISBN 13 9780571223855
  • BindingHardcover
  • LanguageEnglish
  • Edition number1
  • Rating
    • 3.64 out of 5 stars
      1,071 ratings by Goodreads

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Paperback. Condition: Very Good. 'Marcus seems to understand Dylan and the song intuitively. His ideas burn with a fierce intelligence and the song takes on a new life in that crucible.' Hanif Kureishi Sardonic, bitter, threatening, compassionate, gleeful, and most of all loud, Like a Rolling Stone is much more than a song. Six minutes and six seconds in length, it was released by Dylan despite the received wisdom of the day as to what constituted a single. Published on the 40th anniversary of its release and recording, Greil Marcus' extraordinary book reconstructs the context in which the song first appeared, in terms of Dylan's own career (his controversial transformation from folk singer into rock n roll singer) and the world at large (Vietnam, the Watts Riots, the burgeoning counter-culture of the time). This is itself the stage for Marcus' recreation of the song on the page - its emergence from fragments, its words, its sound, its discovery of itself. An analysis and critique of an artist at the height of his creative powers, it affords a unique insight into the mistakes, inspirations and bloody mindedness that come together only in the very highest cultural moments. 'An ability to discern an art movement, or an entire country, lurking inside a song.' The New Yorker. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Seller Inventory # GOR001446436

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