About the Author:
Seamus Heaney was born in County Derry in Northern Ireland. Death of a Naturalist, his first collection of poems, appeared in 1966 and since then he has published poetry, criticism and translations - including Beowulf (1999) - which have established him as one of the leading poets now at work. In 1995 he was awarded the Nobel Prize in Literature. District and Circle (2006) was awarded the T. S. Eliot Prize in 2006. Stepping Stones, a book of interviews conducted by Dennis O'Driscoll, appeared in 2008. In 2009 he received the David Cohen Prize for Literature.
Review:
" A book as original, startling and aesthetically compelling as any since his magisterial 1984 sequence, "Station Island," " -- "The Washington Post Book World""" " [Heaney' s] voice carries the authenticity and believability of the plainspoken-- even though (herein his magic) his words are anything but plainspoken. His stanzas are dense echo chambers of contending nuances and ricocheting sounds. And his is the gift of saying something extraordinary while, line by line, conveying a sense that this is something an ordinary person might actually say." -- Brad Leithauser, "The New York Times Book Review" "A book as original, startling and aesthetically compelling as any since his magisterial 1984 sequence, "Station Island,"" --"The Washington Post Book World""" "[Heaney's] voice carries the authenticity and believability of the plainspoken--even though (herein his magic) his words are anything but plainspoken. His stanzas are dense echo chambers of contending nuances and ricocheting sounds. And his is the gift of saying something extraordinary while, line by line, conveying a sense that this is something an ordinary person might actually say." --Brad Leithauser, "The New York Times Book Review" "A book as original, startling and aesthetically compelling as any since his magisterial 1984 sequence, "Station Island". " --"The Washington Post Book World""" "[Heaney's] voice carries the authenticity and believability of the plainspoken--even though (herein his magic) his words are anything but plainspoken. His stanzas are dense echo chambers of contending nuances and ricocheting sounds. And his is the gift of saying something extraordinary while, line by line, conveying a sense that this is something an ordinary person might actually say." --Brad Leithauser, "The New York Times Book Review" Praise for "Electric Light": "Heaney's status as one of the most significant poets writing in English and the greatest Irish poet since Yeats in already well established. "Electric Light" is further confirmation of his power to capture and transcend the immediacy of the moment, to find the stillness at the heart of things." --Joe Treasure," Los Angeles Times Book Review """Electric Light" includes poems that are sparks of fulminating retrospection . . . To say it the best I can . . . �Heaney� exercises poetry's power to proclaim truth and the artist's power to make us know that it is a truth we can't be without . . . Engagement is the heart of a poem . . . and Mr. Heaney's strongest engagement in this collection is with time: the past that lives, the present that dies." --Richard Eder, "The New York Times" Praise for "Electric Light: "Heaney's status as one of the most significant poets writing in English and the greatest Irish poet since Yeats in already well established. "Electric Light is further confirmation of his power to capture and transcend the immediacy of the moment, to find the stillness at the heart of things." --Joe Treasure," Los Angeles Times Book Review ""Electric Light includes poems that are sparks of fulminating retrospection . . . To say it the best I can . . . [Heaney] exercises poetry's power to proclaim truth and the artist's power to make us know that it is a truth we can't be without . . . Engagement is the heart of a poem . . . and Mr. Heaney's strongest engagement in this collection is with time: the past that lives, the present that dies." --Richard Eder, "The New York Times
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