She Left Me the Gun: My Mother's Life Before Me - Softcover

Brockes Emma

Softcover

ISBN 10: 0571275842 ISBN 13: 9780571275847

Publisher: Faber And Faber, 2013

Synopsis

Paperback. Pub Date :2013-03-18 Pages: 352 Language: English Publisher: Faber and Faber Crime When Emma Brockes was ten years old. her mother said One day I will tell you the story of my life and you will be amazed. Growing up in a tranquil English village. Emma knew very little of her mothers life before her. She knew Paula had grown up in South Africa and had seven siblings. She had been told stories about deadly snakes and hailstones the size of golf balls. There was mention. once. of a trial But most of the past was a mystery When her mother dies of cancer. Emma -.. by then a successful journalist at the Guardian -. is free to investigate the untold story Her search begins in the Colindale library but then takes her to South Africa. to the extended family she has never met and their accounts of a childhood so different to her own She encounters versions of the life her m...

About this title

Review:

Q&A with Emma Brockes

Q. What made you decide to go in search of your mother’s life before she had you?

A. When I was growing up, my mother was always dropping hints that something terrible and dramatic had happened in her past. But she had never been terribly specific. When I was 27, she died, and I felt compelled to find out all the things she hadn't been telling me. When a parent dies, your relationship with their history changes; it becomes your own and all the things you were avoiding, it seems imperative, suddenly, to confront. Deciding to write about it was easy; it's an amazing story. Secrets like this were meant to be written about.

Q. What did you find when you went looking into your mother’s past?

A. I knew she had moved to England from South Africa in 1960 and never really been back. So after her death, I flew to Johannesburg for the first time, to meet some of her seven siblings and ask them the questions I hadn't dared ask her. It turned out she and her siblings had been involved in a high profile court case, in which their father was the accused, and in which he had defended himself, cross-examining his own children in the witness box and destroying them one by one. It also turned out that my mother had tried, and failed, to kill him.

So, some fairly lively discoveries.

Q.You explore the ultimate question: how well do we know someone? Do you feel like you know your mother better now than before learning about her childhood trauma?

A. No, strangely. I think I always knew her at mineral level, the stuff I found out was merely an extreme expression of characteristics that were clearly present in my mother while I was growing up. The thing that amazed me most – the one out-of-character detail – was that she managed not to talk about it. My mum was the world's worst keeper of secrets.

Anyway it's something I worried about before starting the book; that whatever I found out would change my view of my mother and I would pathologise her in some way. As it turned out, I think there is only so much the imagination will let one do with one's parents; who they were to you when you were little, is who at some level they will always be. And so, while I admired my mother for the things I found out - how she stood up to a maniac; how she tried to protect her younger siblings; above all, how she rebuilt herself after it all went wrong - it didn't alter what was to me her basic mum-ness.

When I see her in my mind's eye these days, it's as I always saw her, sitting in the kitchen by the sink, peeling carrots or potatoes, looking out of the window at the garden and turning to smile at me as I come through the door.

Q. You mention in the book how some aspects of your own childhood started to make sense once you learned what’d happened to your mother. Do you think her experience had some psychological or emotional effect on you?

A. Very hard to measure, but I'm sure that it did, given the extent to which my mother's character was moulded by all this. She managed to put a positive spin on problematic impulses; so, when I was a kid, she was convinced I was going to get kidnapped and murdered, but instead of scaring the bejesus out of me, she managed to turn it into a comedy routine that assuaged her fears (a little) and didn't traumatize me. She was so bonkers about my exposure to risk, it has probably made me blasé; it's a great luxury, to have someone else do all your worrying for you.

After my mother's death, when I found out exactly what she'd been withholding, it struck me that she had made a moral, practical and aesthetic choice to be a certain way in relation to her past and I have definitely been influenced by the example she set. It's mainly a good thing; I don't see the point in going on about everything all of the time; although I probably tolerate discomfort longer than I should. (That might just be a British thing.)

Q. Your relatives in South Africa seemed to be at odds with one another, yet all were eager to connect with you. Are you still in touch with your family in South Africa?

A. Yes. I've been back to South Africa once, last year, and I speak to my aunt Fay on the phone occasionally. It's so far away that realistically, we're never going to operate like a regular family. But it feels important to me to maintain contact. Most importantly, a generation on, we don't seem to be hampered by the fraughtness and baggage that dominated my mother's relationships with her siblings.

Q. How has this experience changed you? What has it taught you?

A. It has thrown my own childhood into a more idyllic light. Held up against the worst alternative, all the things you take for granted start to look like incredible good fortune. (Not that it has stopped me complaining. But still). It has also given me a shift in perspective. Here was the mother I had known, living a mild existence in a village in Buckinghamshire, meanwhile somewhere in her system was the memory of all this unbelievable trauma. In light of what I discovered, her achievement seemed remarkable. The one thing she couldn't do was talk about it, which is so often the case with abuse histories. Intellectually, I understood that nothing bad would happen if I wrote all this down and published it, but emotionally, that took a very long time to be the case. So the most profound change has been publishing this book and seeing for myself that the sky didn't fall in.

About the Author:

Emma Brockes writes for the Guardian Weekend magazine and contributes to the New York Times, Vogue, Harper's Bazaar and Elle, She is the winner of two British Press Awards (Young Journalist of the Year and Feature Writer Of the Year) and while at Oxford she won the Philip Geddes Memorial Prize for Journalism. She is the author of one previous book - What Would Barbra Do? - about her love of musicals. She lives in New York.

About this edition

• Publisher: Faber And Faber
• Publication date: 2013
• ISBN 10: 0571275842
• ISBN 13: 9780571275847
• Binding: Paperback
• Number of pages: 352