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Eimear McBride grew up in the west of Ireland and studied acting at Drama Centre London. Her debut novel A Girl is a Half-formed Thing took nine years to publish and subsequently received the Bailey's Women's Prize for Fiction, Kerry Group Irish Novel of the Year, the Goldsmiths Prize, Desmond Elliot Prize and the Geoffrey Faber Memorial Prize. Her short fiction has appeared in Dubliners 100, The Long Gaze Back and on Radio 4. She occasionally reviews for the Guardian, TLS, New Statesman and New York Times Book Review. www.eimearmcbride.com
THE AUDITION
Saturday 12 March 1994
I move. Cars move. Stock, it bends light. City opening itself behind. Here’s to be for its life is the bite and would be start of mine.
Remember. Look up. Like the face of god was lighting me through those grilles above, through windows once a church this hall, and old men watch below. Come in. Please go straight to the stage. I snag my skirt on continents of paint chipped out black by toes and heels, by fingers picking clicking for years. I’d do too if I was here. When I’ll be here. Will I be here? Take a moment, they say Then let’s have your first piece. I. Suck antique air and. Go.
I don’t know but it’s done by some switch of the brain, this fooling off the girl I am. Giving tendril words to the dust-sunned air or twist from my mouth weeds of her until she’s made her way through time from Arden, Greece or whoever wrote these lines of words learned in my head. Innocent to the work of balconies or beds, I let her talk run free in me and bring her for the age.
And after.
They bait me. Strip me a bit. Ask who and you’re young, why not see the world first? Shouldn’t actors see so many things? But I’m sure I have in the deep of my brain. Against my tick-tocking minus in life – books and films, fancied plays I’ll be in, men surely meet, New York taxis maybe run for in elegant heels. Shouldn’t these outweigh what dun school skirts there’s been in this bud of life I own? And lower too, just left unsaid, time when life was something else but I’ve understood a whole world, all remaining is To Do. Can they not see this print on me? Ho ho, they flock You’re all grown-up certainly but second speech, if you would?
Seated on the floor this, lino underfoot. Her giving out little thoughts, some simple things she’s understood. This lady in her simple skirt, hands open to a gentle earth and though I’m close inside my voice fills wide into the calm. Beseeches but such a quiet way. And this time they are with me, know in her I’ve done my time. May hold her up for looking at and gently set her down. Then let chipped paint oceans roll me back to their shore, hopeful as a breeze. And they only Thank you we’ll let you know. That’s it? Letter next week in the post. Go on out through the canteen. So my audition’s done and can’t be undone now.
From their path I stroll to the City no city, I think to Camden Town. London unspooling itself behind. Traffic all gadding in the midday shine. So many people. So much stone. All at once and streets ahead. I’ll bring it with. I will make myself of life here for life is this place and would be start of mine.
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