Art imitates Life. Life imitates Art. When two actors with a history are thrown together as romantic leads in a forgotten 1930s melodrama they quickly lose touch with reality as the story onstage follows them offstage. Stage Kiss captures Sarah Ruhl's singular voice. It is a charming tale about what happens when lovers share a stage kiss-or when actors share a real one.
"CRITIC'S PICK. Suffused with warmth and humor. Sarah Ruhl frothily whips together romantic comedy and backstage farc
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Sarah Ruhl's other plays include the Pulitzer Prize finalists In the Next Room (or the vibrator play) and The Clean House, as well as Passion Play, Dean Man's Cell Phone, Demeter in the City, Eurydice, Melancholy Play, and Late: a cowboy song. She is the recipient of a Whiting Writers' Award, a PEN/Laura Pels Award, and a MacArthur Fellowship. Her plays have premiered on Broadway, off-Broadway, and in many theaters around the world.
“A gift and a rarity: a superb new romantic comedy that’s moving, smart and flat-out hilarious... You will have difficulty breathing. Stage Kiss is that funny.” — Jesse Green, New York
“In Stage Kiss passion and fidelity engage in a kind of elegant pas de deux...At once a knowing send-up of the hazy half-truths of stage naturalism and a meditation on the nature of desire and sexual fantasy, the play manages to be both wholly original and instantly recognizable.” — John Lahr, New Yorker
“A knockabout farce that channels Noël Coward and Michael Frayn.” — Chris Jones, Chicago Tribune
“Wickedly clever... Ruhl’s unique, breezily elegant dialogue is fully present.” — Steven Oxman, Variety
“A lively blend of romantic comedy and backstage farce... Stage Kiss reminds us of how the artifice of theater can stir real emotions not just for those who create it, but for those who attend it, too.” — Charles Isherwood, New York Times (2015-02-24)
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