Three hundred years in the future, Verity Auger is a specialist in the archaeological exploration of Earth, rendered uninhabitable after the technological catastrophe known as the Nanocaust. After a field-trip to goes badly wrong, Verity is forced to redeem herself by participating in a dangerous mission, for which her expertise in invaluable. Using a backdoor into an unstable alien transit system, Auger's faction has discovered something astonishing at the far end of a wormhole: mid twentieth-century Earth, preserved like a fly in amber. Is it a window into the past, a simulation, or something else entirely? CENTURY RAIN is not just a time-travel story, nor a tale of alternate history. Part hard SF thriller, part interstellar adventure, part noir romance, CENTURY RAIN is something altogether stranger.
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Alastair Reynolds was born in Barry, South Wales, in 1966. He studied at Newcastle and St Andrews Universities and has a Ph.D. in astronomy. Since 1991 he has lived in the Netherlands, near Leiden, where he works part-time as an astrophysicist for the European Space Agency.
In his latest SF novel, Reynolds (Absolution Gap) creates yet another quirky, noirish vision of humanity's future. Three centuries from now, a technologically induced catastrophe, the Nanocaust, makes Earth uninhabitable. Two versions of humanity—the Threshers, who live in a ring of habitats encircling Earth, and the Slashers, who inhabit the outer planets—each blame the other for the disaster. Both groups share access to a system of artificial wormholes, one of which turns out to contain a perfect copy of Earth, sealed off from the rest of the galaxy, at its far end. The Threshers send archeologist Verity Auger to investigate. On this subtly different version of Earth, Wendell Floyd, a second-rate detective and jazz musician living in Paris in the year 1959, is looking into a very odd murder. Then Auger shows up claiming to be the victim's sister and pursued by lethal creatures who look like decaying children. While Reynolds beautifully details this alternate-universe Paris and handles the developing mystery with aplomb, his Thresher and Slasher cultures lack depth and his climax feels a bit jury-rigged. Still, fans of sophisticated hard SF should be pleased.
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