The architecture produced between 1700 and 1800 represents a classic perfection which no later age has equalled. The first half of the eighteenth century was pervaded by the spirit of Baroque, epitomized most completely in palaces and Schonbrunn in Vienna, the Winter Palace in St. Petersburg or the dazzlingly theatrical churches and Residenzes of Germany and Central Europe. After 1750 architecture turned away from Baroque towards Neo-classicism, whose most characteristic types included private houses, institutional buildings and planned towns--Bath, Philadelphia and Washington, with their theatres, museums, hospitals and banks.
"synopsis" may belong to another edition of this title.
Architectural historian Sir John Summerson, professor of fine art in Britain and curator for 39 years at Sir John Soane's Museum describes the rise of neoclassicism after 1750. Making the point that the transition from Baroque was marked by "a plurality of styles," Summerson goes on to provide a historical context for the changeover, examines town-planning and looks at individual buildingsmuseums, libraries, prisons, theaters and banks. In the concluding chapter he discerns the echoes of Versailles in Washington, D.C., which he judges "the one great triumph of urban planning in 18th century America." Some 174 illustrations, consisting of plans, photographs and drawings, embellish this satisfying summary of the period.
Copyright 1986 Reed Business Information, Inc.
"About this title" may belong to another edition of this title.
(No Available Copies)
Search Books: Create a WantCan't find the book you're looking for? We'll keep searching for you. If one of our booksellers adds it to AbeBooks, we'll let you know!
Create a Want