Four people in a small Vermont village are about to have their lives inexorably intertwined by the uncertainties of love . . . and the apparent absolutes of gender.
Schoolteacher Allison Banks, the long-divorced mother of a teenager on the cusp of college, has at last fallen in love. The object of her desire? Dana Stevens, a professor at the nearby university and her instructor for a summer film and literature course. Her daughter, Carly, watches with pleasure her mother's newfound happiness, but her ex-husband, Will, the president of Vermont Public Radio, is jealous. Still secretly in love with his ex-wife, he finds himself increasingly unsettled by the prospect of Allison's attachment to another man.
Yet Dana is unlike anyone Allison has ever been with: attentive, gentle, kind -- and an exceptionally ardent lover. Moreover, it's clear that Dana cares just as deeply for Allison. The only stumbling block? Dana has known always that in actuality he is a woman -- genitalia, plumbing, and perceptions be damned -- and he will soon be having a sex change operation.
At first Allison runs, but overwhelmed by the depth of her passions, she returns. But can the pair's love transcend both the biologic imperatives that are their bodies, as well as their ingrained notions of sexual preference? Moreover, can their love survive the outrage of the small community in which they live?
All four characters -- Allison, Dana, Carly, and Will -- narrate this compelling story, spinning a tale that will keep you turning the pages with the eagerness we usually reserve for thrillers, while nodding in wonder at such a deeply moving and profoundly honest portrayal of longing, love, and desire.
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This sympathetic novel about the effect of a sex change on a romantic relationship, a family, and a community could almost be sold as a textbook--a kind of transgender Guide to the Perplexed. With its calming tone and scrupulous sensitivity to the feelings of all involved, it sometimes reads like a textbook, too. But while nobody is likely to launch a protest campaign over the cautious revelations of Trans-sister Radio, that's precisely the subject of Chris Bohjalian's seventh novel, in which a male college professor in a small Vermont town transforms himself into a woman. Even Dana Stevens's initial step in this direction--donning women's clothing--elicits a powerful reaction from the community.
And what about Dana's new girlfriend Allie Banks, a beloved local schoolteacher who fell in love with him before learning of his plan? Her initial instinct is to end the relationship. Then she decides to stand by Dana, inspired rather than daunted by her stuffy ex-husband Will's opposition to the "effeminate" guy she's dating, and by the horrified reactions of the parents at her school. She does, it's true, continue to love Dana after the sex reassignment surgery. And she stoically endures the threatening notes in her school mailbox and the crude graffiti on her front door, as well as the minor vindication of a local public radio story on their battle. Yet Allie never makes the emotional shift from heterosexual woman to lesbian. Breaking off the affair, she spends months mourning the man she had fallen in love with.
Assuming, as we are meant to, that Dana is outwardly becoming the person she always was inside--that biology is anything but destiny--there's only one character who undergoes a profound change over the course of the novel. That would be Will, Allie's ex-husband, who recoils from Dana's initial sexual ambiguity. After her surgery, however, he finds himself increasingly aware of her as a woman.
And so when I'd hug Dana or touch the inside of her palm with the inside of mine (a handshake, yet so suggestive) or my fingers would find their way to one of her arms, I would experience a sexual ripple and wonder why I had felt such a thing--why I had courted such a thing. And the answer would be because she was pretty and she was smart and she was feminine.
Structuring his story around the transcript of a fictional National Public Radio feature on transgender, Bohjalian shifts the point of view with every chapter: the characters often seem to be enlarging on comments they had made for broadcast. We hear from Dana, Allie, and Will in turn, as well as Carly, the daughter of the divorced couple. In this sense, Trans-sister Radio gives everyone equal time. And for good or ill, it has none of the bluster or transgressive charge of Gore Vidal's late-1960s bombshell, Myra Breckinridge. Instead it brings transgender home, rendering it (to quote Dana herself) "domestic as a balloon shade or a perennial garden. And just as harmless." --Regina Marler
“Inspired.... [a] highly original novel.... Impossible to put down.”–USA Today
“Trans-Sister Radio...bears Bohjalian’s hallmark: ordinary people in heartbreaking circumstances behaving with grace and dignity.... Speaks directly to the heart.”–San Francisco Chronicle
“Bohjalian has...written an interesting [and] ultimately, a quite daring novel, and a worthy successor to Midwives. Like that novel, Trans-Sister Radio challenges readers’ most dearly held notions of biological reality.”–Philadelphia Inquirer
“An insightful look at love and sexuality...with great compassion and insight.”–Los Angeles Times
“A though-provoking tale with a rich, varied texture.... [An] addictive read.”–The Denver Post
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