The Dying Animal - Hardcover

Roth, Philip

  • 3.61 out of 5 stars
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9780618135875: The Dying Animal

Synopsis

A prominent TV culture critic and lecturer, sixty-plus David Kepesh finds his world thrown into erotic turmoil by Consuela Castillo, a twenty-four-year-old beauty who ignites in him a sexual possessiveness, unreasoning jealousy, and obsessive passion. 60,000 first printing.

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About the Author

In 1997, Philip Roth won the Pulitzer Prize for American Pastoral. In 1998 he received the National Medal of Arts at the White House and in 2002 the highest award of the American Academy of Arts and Letters, the Gold Medal in Fiction, previously awarded to John Dos Passos, William Faulkner, and Saul Bellow, among others. He has twice won the National Book Award and the National Book Critics Circle Award. He has won the PEN/Faulkner Award three times.

In 2005 The Plot Against America received the Society of American Historians’ prize for “the outstanding historical novel on an American theme for 2003-2004.”

Recently Roth received PEN’s two most prestigious prizes: in 2006 the PEN/Nabokov Award for “a body of work…of enduring originality and consummate craftsmanship” and in 2007 the PEN/Saul Bellow Award for achievement in American Fiction, given to a writer whose “scale of achievement over a sustained career…places him or her in the highest rank of American literature.”

Roth is the only living American writer to have his work published in a comprehensive, definitive edition by the Library of America. The last of eight volumes is scheduled for publication in 2013.

Reviews

Eros and mortality are the central themes of Roth's frank, unsparing and curious new novella. It's curious not only because of its short form (new for Roth), but because he seems to have assumed the mantle of Saul Bellow, writing pages of essay-like exposition on contemporary social phenomena and advancing the narrative through introspection rather than dialogue. The protagonist is again David Kepesh (of The Breast and The Professor of Desire), who left his wife and son during the sexual revolution vowing to indulge his erotic needs without encumbrance. Kepesh is now an eminent 70-year-old cultural critic and lecturer at a New York college, recalling a devastating, all-consuming affair he had eight years before with voluptuous 24-year-old Consuela Castillo, a graduate student and daughter of a prosperous Cuban ‚migr‚ family. From the beginning, Kepesh is oppressed by the "unavoidable poignancy" of their age difference, and he suffers with the jealous knowledge that this liaison will likely be his last; even when locked in the throes of sexual congress, a death's head looms in his imagination. The end of the affair casts him into a long depression. When Consuela contacts him again eight years later, on the New Year's Eve of the millennium, their reunion is doubly ironic in the Roth tradition. Consuela has devastating news about her body, and it's obvious that retribution is at hand for the old libertine. Roth's candor about an elderly man's consciousness that he's "a dying animal" (from the Yeats poem) is unsentimental, and his descriptions of the lovers' erotic acts push the envelope in at least one scene involving menstruation. The novella is as brilliantly written, line by line, as any book in Roth's oeuvre, and it's bound to be talked about with gusto. (May 18) Forecast: Roth's audience is faithful, and the erotic explicitness of this book may attract other readers who have not tackled the author's longer novels. But his longtime refusal to do talk shows or give interviews will as usual limit publicity efforts, and it remains to be seen whether such a narrowly focused story will sell with the rapidity of Roth's longer novels.

Copyright 2001 Cahners Business Information, Inc.



Roth at his most erotic, which really says something. A sixtyish cultural critic who has never managed to commit he's still enjoying the sexual revolution gets all tangled up in an affair with the voluptuous young Consuela.
Copyright 2001 Reed Business Information, Inc.

Excerpt. © Reprinted by permission. All rights reserved.

I was no longer in that phase of my life when I thought I could do everything. Yet I remembered it clearly. You see a beautiful woman. You see her from a mile away. You go to her and say, Who are you? You have dinner. And so on. That phase, when it's all worry-free. You get on the bus. A creature so gorgeous everybody is afraid to sit next to her. The seat next to the most beautiful girl in the world -- and it's empty. So you take it. But now isn't then, and it'll never be calm. It'll never be peaceful. I was worried about her walking around in that blouse. Peel off her jacket, and there is the blouse. Peel off the blouse, and there is perfection. A young man will find her and take her away. And from me, who fired up her senses, who gave her her stature, who was the catalyst to her emancipation and prepared her for him.

How do I know a young man will take her away? Because I once was the young man who would have done it

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