The Shadow Boxer - Softcover

Heighton, Steven

Softcover

ISBN 10: 0618139338 ISBN 13: 9780618139330

Publisher: Harper Perennial, 2002

Synopsis

This is the story of Sevigne Torrins, poet and boxer, who sets out to make it in the world but whose sexual and professional misadventures take him from a demanding, muscular boyhood on the shores of Lake Superior to the trendy, bohemian life of Toronto and even to Egypt.
In the tradition of such classics as LOOK HOMEWARD, ANGEL and JUDE THE OBSCURE, THE SHADOW BOXER is that rarest of contemporary performances, an ambitious, unabashedly romantic story about an exposed soul determined to live life to the hilt. Only a writer of Steven Heighton's extraordinary gifts could pull it off with such unsentimental passion and literary grace.

About this title

About the Author

STEVEN HEIGHTON is the internationally acclaimed author of the novels Afterlands and The Shadow Boxer, a Mariner Original that was selected as a Publishers Weekly Book of the Year. He has also written several books of poetry, short fiction, and essays. His work has received numerous awards and has been translated into nine languages.

Reviews

The texture, grit and pure narrative grace of this remarkable first novel by young Canadian short story writer, essayist and poet Heighton (Flight Paths of the Emperor; The Ecstasy of Skeptics, etc.) transform a coming-of-age story into something uncommon yet deeply familiar. Heighton chronicles the arduous artistic journey of the precocious but troubled Sevigne Torrins, who starts off by ditching a promising pugilistic career to follow his literary muse. The early chapters focus on his difficult relationship with his father, a former sailor drinking himself to death on the shores of Lake Superior, followed by a road-travel sequence that takes him to Egypt, where his mother has lived for years with her second husband. Most of the book, however, revolves around two romantic relationships, the first with a sexy, rabidly ambitious fellow writer, Una Sutherland, and the second and more lasting with a woman nearly 10 years older than Sevigne, 34-year-old singer Mikaela Chandler, whose biological clock is ticking with a vengeance. Heighton writes evocatively about the undercurrents of lust, creativity and ennui that shape the two situations. But he saves his most powerful work for the finale, when Sevigne isolates himself at his family's cottage on a remote island near Toronto, where a series of catastrophes reduce his winter writing retreat to a hovel and he contracts an infection that forces him to perform a grisly self-amputation. This is a remarkably accomplished, potent first novel in which Heighton explores the forces that shape the lives of artists, writing in a disarmingly natural voice that shifts effortlessly in range, from near-Lawrentian lyricism to blunt, gripping simplicity. In his progress from enthusiastic innocent, albeit with a complicated history, to someone older, wiser yet still "always working so hard at being alive," Sevigne convinces as few protagonists do. Author tour. (Feb. 25)Forecast: Heighton is already an acclaimed writer in Canada, and this should be his breakout book in the U.S. It's a bit surprising that a work of this magnitude is being issued in paperback, but so long as that doesn't throw book review editors, it shouldn't hurt sales.
Copyright 2002 Cahners Business Information, Inc.

This seemingly semiautobiographical Bildungsroman tells the story of a young Canadian poet and novelist, Sevigne Torrins, who alternately drifts and fights his way through family schisms, love affairs, the new literary establishment, philosophical quandaries, incipient alcoholism, and, finally, a long winter survival ordeal on an otherwise abandoned island. His travels take him from his home in "the Soo," a rural area on the north shore of Lake Superior, to his mother's new home in Cairo, to trendy Toronto, and to remote Rye Island, where his grandfather had been a bootlegger. His emotional journey is similarly wide-ranging. Like a latter-day Holden Caulfield, Torrins rejects the phoniness that surrounds him, but unlike Caulfield he manages to see deeper into human behavior and come to uneasy terms with the broader society. Heighton is both a poet and a fiction writer who is already successful in Canada, and this should be his breakthrough to the U.S. market. Recommended for public and academic libraries. Jim Dwyer, California State Univ., Chico
Copyright 2001 Reed Business Information, Inc.

Excerpt. © Reprinted by permission. All rights reserved.

The Shadow Boxer

By Steven Heighton

Mariner Books

Copyright © 2002 Steven Heighton
All right reserved.
ISBN: 9780618139330
Rye Island seems to lie at the heart of some meteorological singularity; the summer goes on freakishly hot, day after day the mercury reading five degrees higher than reported for the Soo. Is it a sign of global warming, that fever afflicting the planet as it sickens? Poisoned. But all that seems improbable here. Here time seems to be moving backwards, if it ever has moved; in late afternoon towering banks of cumulus mass over Superior and thunder rolls out of the west like rumblings of the Lost Herds in a late stampede. One day as he sits working, peripheral vision or some inscrutable instinct draws his attention outward. What looks like his father's vessel is passing a few miles south on a bearing for the Soo. He hurries onto the catwalk. Through binoculars the magical name Algonordic appears on a hull mottled with smuts of rust and blistering paint; despite the air's warmth the deck rail and coaming aisles are deserted and the glare of sunlight off the wheelhouse panes hides the occupants. He follows his father's crewless ship until it's lost to sight, a ghost ship like those medieval ones whose sailors succumbed to the Black Death and then drifted on unmanned for years, sometimes finding unlucky ports.

One night he wakes to a sound like sleet or freezing rain tapping at the windows. He opens his eyes and sits up. The grey floor like the parchment wall of a vespiary swirls with tiny shadows cast by moonlight while outside the stars seem to reel and spill and revolve as if the earth were plummeting through space. He leaps up and goes for the access door, left open for air. The water-blisters are swarming out of the northwest; the door faces southward but a few have gotten in. Stunned or dying, they rest on the bright floor of the light chamber, curled green tails twitching. He pulls the door shut and stands by his desk as they stream towards him thick as a blizzard or some biblical curse. You'd think they were flying straight out of the moon. In their millions they clip the windows and bounce off and hit again or veer around the tower or plunge out of sight. He sags into his chair and watches, mouth slack. He loses all sense of time. Then the blizzard thins out, abruptly ceases; the night world reappears; the catwalk is squirming with tiny shapes and the woods and calm lake are left seethingly active, larval in the moonlight. Dubious of his father's reports of fantastic evanescence, he tells himself he will explore in the morning, the insects will still be there. He wakes to a cool front scudding in from the west and finds the catwalk swept clean and the forest and the choppy waters purged, nothing left but a few papery husks on the light-chamber floor and on the shores a fading odour like rotten seaweed.

--

By August the turquoise waters of the cove are almost tepid. Sevigne has taken to crossing the cove--racing his shadow as it skims over the logs and cobbles twenty feet down--then pushing out through the narrows a dozen strokes into the usually unswimmable lake. One hot afternoon impulse and risk tempt him onward. He has an urge to cross the floating border like his father, and stand on US soil amid the fireweed and few skeletal trees of Nile. His body these days feels so strong and he so fully within it--an owner and not a tenant--he half believes he could swim to the Soo, and at first the cold of the open lake is exciting, and the extremes: when he breathes, the heat of the sun on his face and the rainbow shatter of light in his wet lashes, when he looks down, icy blackness pierced by auroral streamers receding into the depths. He is swimming through space above the northern lights--over Chagall's Vitebsk! Stars at elbow and foot. He's soaring. How could he have hoped for such elevation in the city? The disembodied city! When all joy, he feels now, even mental joy, is founded in the body.

In the channel between Rye and Nile, starting to feel deeply chilled, he enters a vein of water so cold that the first breath he draws there is broken and brings no air. It's water churned up from depths below the thermocline or blown in from mid-lake by the winds. He cranes his head up, looks around. Nile is farther out than he thought. He should turn back, but it isn't like him--as if somebody were waiting ahead on the shore, on every goddamned shore, stopwatch in hand, Wimp, come on, and he pushes on, striving to generate warmth, but the cold palsies his limbs and truncates his stroke and the winds funnelled through the strait churn up waves against him.

Soon he would gladly turn back but now Nile is closer than Rye and he'll take the closest shore. An eerie abatis of blackened timber rises from the depths to the islet's banks. He puts on a burst of speed and soon drags himself onto a slick, liver-like slab of rock marbled with streaks like dirty fat and lies there prone and gasping. He would stay there embracing the warm stone, letting the sun bake winter out of him, but the winds are chilling him further and his teeth won't stop chattering. Arms crossed over his chest he runs along the shore to the lee side. It's no good, even out of the wind his body is cooling. His throat is parched and a bitter paste of fear coats his tongue. Momentarily he has the wild notion of signalling a distant freighter for help, or of swimming out to the light-buoy pulsing red and to cling there like a limpet as if it could warm him, as if you could not possibly die in the embrace of such an artefact of human order. Like that hitch-hiker (Trubb again) on the Trans-Canada last winter. OPP found her clinging to a road sign--Sault Ste Marie 100 klicks--had to chip her off inch by inch.

He grits his teeth and with a running start dives in. A dozen strokes out, the full shock of it hits him. It's too cold to draw proper breath. He makes for the place on the south shore where the creek plunges a few feet over a ledge
and an exposed pine thrusts from a granite cleft. The west wind has made a harsh example of the tree. Gaunt limbs swept downwind, it seems to gesture with tragic defiance, a hunched old man declaiming a soliloquy to the wilderness.

Sevigne looks up for his mark. He has drifted off course, slapped east by the waves. Face swivelling upwind for breath he inhales mouthfuls of water; the big lake is aggressively alive. A strange, sly numbness begins creeping upward from his toes and down from the tips of his fingers, so in minutes his feet and hands are all but impervious to the water's bite. Then his ankles, wrists. A cold gangrene is bleeding inward to his vitals. He tries to cup fingers hard for a proper draw and flutter-kick with his feet but he can't feel them and he's slowing though he's working harder, millwheeling arms like a panicked novice. His forearms and calves are gone and now the anaesthesia reaches into his thighs; he can't be sure if his feet are still kicking. He fights on, buffeted by waves, eyes straining into the depths for any sign of shore. They say it's painless. When the numbness touches the heart, he thinks, and peers up: the contorted pine is close but his legs are sinking, only his arms working on, clutching and pulling at the water as if on a line tossed from the bank. Something unbalances him and he rises as if shoved from below. He tries to stand, sags back in, onto all fours. The shallows by the creekfall are cloudy and warm. He's spitting through chattering teeth, weakly laughing, groping his way in to shore. With the arthritic choppy steps of an old man he runs uphill along the creek within sight of the crosses at the meadow's edge and through the pine woods to the tower. In the light chamber he turns the heater to full, buries himself in his sleeping bag and blankets and lies shivering until dark, eating trail mix and sipping rye in hot sweetened milk.

--

The day the monarchs appear it's as if a low streak of windblown cirrus orange with sunset is approaching from the north under puffs of high cumulus, noon-white and becalmed. In the smoky warmth of Indian summer Sevigne, working with a plane on the warped front door of the house and thinking of Torrins, stops, the tool loose in his hand. This morning Dave Dawson reported the butterflies would be winging it south for Mexico over the Trans-Canada and Whitefish Bay, so drivers and boaters ought to keep their eyes peeled. Then, while an interviewer with a heavy cold snuffled in the background, a naturalist explained how in crossing the lake the monarchs would make a wide detour, each generation turning at exactly the same point. It was thought that perhaps they were retracing the flyway of prehistoric ancestors who'd had to steer around a mountain or a giant glacier. As the monarchs pass overhead he can see they're not flying in the solid formation Torrins once described; from far off their numbers only make it seem that way. In fact they're gradually dispersing, like long-distance runners spreading out over a course. A few stragglers loop low over the woods, wind-whirled autumn leaves, while others alight on Nile Islet as if fooled by the goldenrod flickering there like kin. Now it seems to Sevigne he understands their trajectory, that phantom detour, the obstacle once encountered, which--like an old flame or parent fought with and seemingly transcended--goes on exerting influence, nudging you towards the paths you believe you choose.



Continues...

Excerpted from The Shadow Boxerby Steven Heighton Copyright © 2002 by Steven Heighton. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Edition details

• Publisher: Harper Perennial
• Publication date: 2002
• Language: English
• ISBN 10: 0618139338
• ISBN 13: 9780618139330
• Binding: Paperback
• Edition number: 1
• Number of pages: 384