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The performance of sacred song often involves the talents of cantors, chanters, precentors, and criers; this volume explores this unique class of musicians from many perspectives.
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Book Description Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 0.97. Seller Inventory # G0660178346I3N00
Book Description Softbound. Condition: Very Good. Octavo, glossy paper covers, viii, 185 pp., b/w photos Mercury Series, Canadian Centre for Folk Cultural Studies, Paper 73. Avant-Propos, Carmelle Begin. Introdcution by the editor. Preface by Natalie Kononenko. Papers are "Becoming a Cantor," Joseph Roll, "'How I Quit Being Cantor': Chanting Aesthetics and 'Mood Effect,'" Michael Owen Jones, "Pour la suite de la 'beaute': le parcours de Claude Gosselin, chantre de Quebec depuis 1943," Anne-marie Poulin, "Au-dela de la tradition. Role et fonction d'un chantre dans la survie d'une eglise a Montreal," Claudette Berthianume-Zavada, "Cantors and Grandparents in Ukrainian Folklore," Bohdan Medwisky, "'God is in front of Me': Cantors of the Ottawa Jewish Community, 1998," I. Sheldon Posen, "Cantor Albert Mahon and Canada's Anglican Plainsong Revival," Marcia Ostashewski, "Introduction to the Precenter's Companion [1916]," Isaac E. Lambertsen (translator, "Rubrics for the Chan of the Mass [1934]," "The Cantorial Tradition in Canada: A Bibliography," Klymasz. Seller Inventory # 69346
Book Description Paperback. Condition: Good. bumped/creased still NICE! - may have remainder mark or previous owner's name Standard-sized. Seller Inventory # 0660178346-01